Introduction
Angela McRobbie
PART ONE: The Wide Expanse of Work
1.Ulrike Ottinger in the Mirror of her Movies
Patricia White
2. Moving Artefacts: Objects and their Agencies
Katharina Sykora
3.Wit and Humour, When Objects Look Back: Comical Constellations in Ottingers Work
Gertrud Koch
PART TWO: The Cities
4. Ulrike Ottinger and the Fashion Imagination
Angela McRobbie
5. Recycling the Image of Berlin
Esther Leslie
6. Prater (2007) Cinemas Carousel
Mandy Merck
PART THREE: China, Mongolia, Japan, Korea
7. Rewriting the Ethnos through the Everyday: Ulrike Ottingers China. Die Kunste Der Alltag
Cassandra Xin Guan
8: The Timeliness of Johanna dArc of Mongolia (1989)
Erica Carter and Hyojin Yoon
9.Exil Shanghai as Audio-Visual Archive and Cross-Cultural Collage
Tim Bergfelder
10: Hochzeiten
Laurence A. Rickels
PART FOUR: Shadows of the Past: Hoards and Collections
11: Paris~Berlin et le monde entier: Ulrike Ottingers Points of Departure
Dominic Paterson
12: Shadow Plays: Charting Ulrike Ottingers Recent Navigations
Nora M. Alter
13: Anachronism and Anti-Conquest: On Chamissos Shadow
Thomas Love
PART FIVE: Comment and Interviews
14: Ulrike Ottinger and the Strange Death of Metaphor
Adrian Rifkin
15: Most Young Women Are ..Bihonists :Interview with Yeran Kim
Angela McRobbie
16: We Were Pioneers for Fashion Spectacles That Didnt Exist Before: Interview with Claudia Skoda
Julia Meyer-Brehm
17: Back Then We Often Went to The Lipstick: Interview with Heidi von Plato
Julia Meyer-Brehm
18: The Magic of Costume and Masquerade: Interview with Gisela Storch-Pesalozza
Thomas Love
19: As a Viewer You Have a Lot of Freedom: Interview with Wieland Speck
Thomas Love