Introduction: Charlie Brookers Artistic Vision Kingsley Marshall (Falmouth University, UK) & James Rocha (California State University: Fresno, USA) Section One: Is Black Mirror Philosophy? Chapter One: Through a Screen Darkly: Black Mirror, Thought Experiments, and Televisual Philosophy Robert Sinnerbrink, Macquarie University, Australia Chapter Two: Black Mirror as Philosophizing About Immortality, Technology and Human Nature Lorraine Yeung, Hong Kong Baptist University, Hong Kong, and Kong-Ngai Pei, Hong Kong Polytechnic University, Hong Kong Chapter Three: Technology in Pastel Colors: An Alternative Take on Black Mirror Laura di Summa, William Paterson University, USA Chapter Four: The Virtue of Forgetting in Nietzsches Philosophy and Black Mirror Daniel Shaw, Emeritus Professor Lock Haven University, USA Section Two: Versions of the Self in Black Mirror Chapter Five: Free Will in Black Mirror: Bandersnatch Sander Lee, Keene State College, USA Chapter Six: White Christmas: Technologies of the Self in the Digital Age Diana Stypinska, Liverpool Hope University, U.K. and Andrea Rossi, Koc University (Istanbul), Turkey Chapter Seven: You Were Never Really Here: Representations of Artificial Intelligence in Charlie Brookers Black Mirror Kingsley Marshall, Falmouth University, UK Section Three: Black Mirror and Relating to Others Chapter Eight: Crocodile Going Too Far: Philosophical Reflections on Human Nature and Moral Character Clara Nisley, Oglethorpe University, USA Chapter Nine: Rats, Roaches, and Rapists: Men Against Fire and the Propagation of Propaganda Leigh Rich, Georgia Southern University, USA Chapter Ten: Between Delight and Discomfort: The Act of Mirroring in the Age of Black Mirror Shai Biderman, Tel Aviv University, Israel Chapter Eleven: The You They Love: Patriarchal Feminism and Ashley Too Mona Rocha and James Rocha, California State University: Fresno, USA Conclusion James Rocha (California State University: Fresno, USA) & Kingsley Marshall (Falmouth University, UK)