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Narrative Hospitality in Late Victorian Fiction Rachel Hollander

Narrative Hospitality in Late Victorian Fiction By Rachel Hollander

Narrative Hospitality in Late Victorian Fiction by Rachel Hollander


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Summary

Visiting late Victorian debates about the morality of literature, this book reconsiders the ways in which novels engender an ethical orientation or response in their readers, explaining how the intersections of nation, family, and form in the late realist English novel produce a new ethics of hospitality.

Narrative Hospitality in Late Victorian Fiction Summary

Narrative Hospitality in Late Victorian Fiction: Novel Ethics by Rachel Hollander

Bringing together poststructuralist ethical theory with late Victorian debates about the morality of literature, this book reconsiders the ways in which novels engender an ethical orientation or response in their readers, explaining how the intersections of nation, family, and form in the late realist English novel produce a new ethics of hospitality. Hollander reads texts that both portray and enact a unique ethical orientation of welcoming the other, a narrative hospitality that combines the Victorians' commitment to engaging with the real world with a more modern awareness of difference and the limits of knowledge. While classic nineteenth-century realism rests on a sympathy-based model of moral relations, novels by authors such as George Eliot, Thomas Hardy, and Olive Schreiner present instead an ethical recognition of the distance between self and other. Opening themselves to the other in their very structure and narrative form, the visited texts both represent and theorize the ethics of hospitality, anticipating twentieth-century philosophy's recognition of the limits of sympathy. As colonial conflicts, nationalist anxiety, and the intensification of the woman question became dominant cultural concerns in the 1870s and 80s, the problem of self and other, known and unknown, began to saturate and define the representation of home in the English novel. This book argues that in the wake of an erosion of confidence in the ability to understand that which is unlike the self, a moral code founded on sympathy gave way to an ethics of hospitality, in which the concept of home shifts to acknowledge the permeability and vulnerability of not only domestic but also national spaces. Concluding with Virginia Woolf's reexamination of the novel's potential to educate the reader in negotiating relations of alterity in a more fully modernist moment, Hollanders suggest that the late Victorian novel embodies a unique and previously unrecognized ethical mode between Victorian realism and a post-World- War-I ethics of modernist form.

Narrative Hospitality in Late Victorian Fiction Reviews

This is a thought-provoking, timely intervention in the field of Victorian literature, sympathy, and ethics. - Review 19

About Rachel Hollander

Rachel Hollander is Assistant Professor of English at St. John's University, USA.

Table of Contents

1. The ardent eighties: Hospitality and realism at the end of the century 2. George Eliot leaves home 3. This house from this moment is yours and not mine: Unconditional hospitality in The Woodlanders 4. Unhomely ethics and radical intimacy in The Story of an African Farm 5. Homeless modernity in Jacob's Room Afterword: Hospitality of the post-

Additional information

NPB9780415628242
9780415628242
0415628245
Narrative Hospitality in Late Victorian Fiction: Novel Ethics by Rachel Hollander
New
Hardback
Taylor & Francis Ltd
2012-12-19
230
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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