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Hollywood Cinema Richard Maltby

Hollywood Cinema By Richard Maltby

Hollywood Cinema by Richard Maltby


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Summary

This comprehensive introduction to Hollywood cinema provides an account of the world's most powerful film industry and examines its cultural and aesthetic significance.

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Hollywood Cinema Summary

Hollywood Cinema by Richard Maltby

This comprehensive introduction to Hollywood cinema provides a fascinating account of the world's most powerful film industry and examines its cultural and aesthetic significance. Taking a wide-ranging approach, and spotlighting such films as A Star is Born, Singing in the Rain, Forrest Gump, and Titanic, it explores and interprets Hollywood cinema in history and in the present, in theory and in practice. For this new edition, the book has been extensively revised, with the historical material updated, and including references to Hollywood movies after 1990. New features include box sections, further reading lists, and chapter summaries. Well illustrated and clearly written, this is an indispensable text for students and readers of Hollywood history and culture.

Hollywood Cinema Reviews

"Hollywood Cinema is an important book, one to be included in any consideration of American film and its influence in world cinema." Journal of Film and Video "This updated and enhanced edition of Richard Maltby's Hollywood Cinema is quite simply the best single textbook on the subject. In clear, user-friendly fashion, Maltby provides an astonishing amount of basic information about Hollywood while explaining how both the movies and the critical/theoretical discourse of film study have evolved over time. The book is not only an extremely useful overview but also an important intervention in current debates. An intelligent blending of formal and historical analysis, it should become essential reading for every serious student of film, whether beginner or advanced." James Naremore, Indiana University "In its first edition, Hollywood Cinema quickly became a 'must-have' volume for anyone interested in film. Beautifully reorganized, expanded, and updated with features that enhance its usefulness for research and teaching, this revised edition shows how truly indispensable Maltby's work on Hollywood is to media studies." Barbara Klinger, Indiana University

About Richard Maltby

Richard Maltby is Associate Professor and Head of the School of Humanities at Flinders University. At the University of Exeter he established the Bill Douglas Centre for the History of Cinema and Popular Culture. He is the author of Harmless Entertainment: Hollywood and the Ideology of Consensus (1983) and Hollywood Cinema: An Introduction (1e, 1995), and co-editor (with Melvyn Stokes) of Identifying Hollywood's Audiences: Cultural Identity and the Movies (1999) Hollywood Spectatorship: Changing Perceptions of Cinema Audiences (2001).

Table of Contents

Preface.Acknowledgments.List of Figures.List of Box Sections.Introduction: Taking Hollywood Seriously.1. 'Metropolis of Make-Believe':Art and Business.The Commercial Aesthetics of Titanic.A Classical Cinema?Hollywood and Its Audiences.Ratings and Franchises.Hollywood's World.Summary.Notes for Further Reading.2. Entertainment 1:Escape.Money on the Screen.The Multiple Logics of Hollywood Cinema.Summary.Notes for Further Reading.3. Entertainment 2:The Play of Emotions.Regulated Difference.Singin' in the Rain: How to Take Gene Kelly Seriously.Summary.Notes for Further Reading.4. Genre:Introduction.Genre Criticism.Genre Recognition.The Empires of Genres: Pat Garrett and Billy the Kid.Genre and Gender.Summary.Further Reading.5. Industry:Introduction.Distribution and Exhibition.Exporting America.Divorcement.The Studio System.The Star System.How Stars are Made: A Star Is Born (1937).Summary.Further Reading.6. Industry 1948-1980:Introduction.The Effects of Divorcement.Roadshows and Teenpix.Independents, Agents, and Television.Corporate Consolidation and the 'New Hollywood'.Ratings.Hollywood in the Multiplex.Summary.Further Reading.7. Industry Since 1980:Introduction.Video and New Markets.The Pursuit of Synergy.Globalization.Independence.Summary.Further Reading.8. Technology:Introduction.Realism and the Myth of Total Cinema.Sound.Sunny Side Up.Color.Widescreen.Technology and Power.The Triumph of the Digital.Summary.Further Reading.9. Politics:Introduction.The Politics of Regulation.Hollywood Goes to Washington.Washington Goes to Hollywood.Representing the Political Machine.Controversy with Class: The Social Problem Movie.Ideology.Summary.Further Reading.10. Space 1:Introduction.The Best View.Making the Picture Speak: Representation and Expression.The Optics of Expressive Space.Deep Space: Three-Dimensionality on a Flat Screen.Mise-en-scene.Editing.Summary.Further Reading.11. Space 2:The Three 'Looks' of Cinema.Points of View.Safe and Unsafe Space.Ordinary People.Summary.Further Reading.12. Performance 1:Introduction.The Spectacle of Movement.The Movement of Narrative.Acting as Impersonation.The Actor's Two Bodies.Star Performance.Summary.Further Reading.13. Performance 2:The Method.Acting as a Signifying System.Valentino.The Son of the Sheik (1926).Summary.Further Reading.14. Time:Introduction.Time Out.Film Time.Movie Time.Deadlines and Coincidences: Madigan (1968).Mise-en-temps.Tense.Back to the Present: History as a Production Value.The Politics of History: Forrest Gump (1994).The Lessons of History: Juarez (1939).Summary.Further Reading.15. Narrative:Narrative and Other Pleasures.Show and Tell.Theories of Narration.Plot, Story, Narration.Clarity: Transparency and Motivation.Summary.Further Reading.16. Narrative 2:Regulating Meaning: The Production Code.Clarity and Ambiguity in Casablanca.Narrative Pressure.Summary.Further Reading.17. Criticism:Introduction.From Reviewing to Criticism.Early Theory and Criticism in America.From Criticism to Theory.Criticism in Practice: Only Angels Have Wings.Summary.Further Reading.18. Theories:Entering the Academy.Structuralism and Semiology.Cinema, Ideology, Apparatus.Psychoanalysis and Cinema.The Spectator.Feminist Theory.Neoformalism and Cognitivism.From Reception to History.Summary.Further Reading.19. Chronology:Glossary.Appendices.The Motion Picture Production Code.The Code and Rating System, 1968.The Classification and Ratings System: "What the Ratings Mean".Consolidated Notes.Select Bibliography.Index.

Additional information

CIN0631216154VG
9780631216155
0631216154
Hollywood Cinema by Richard Maltby
Used - Very Good
Paperback
John Wiley and Sons Ltd
2003-02-28
712
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

Customer Reviews - Hollywood Cinema