The Savage and Modern Self examines the representations of North American Indians in novels, poetry, plays, and material culture from eighteenth-century Britain. Author Robbie Richardson argues that depictions of Indians in British literature were used to critique and articulate evolving ideas about consumerism, colonialism, Britishness, and, ultimately, the modern self over the course of the century. Considering the ways in which British writers represented contact between Britons and Indians, both at home and abroad, the author shows how these sites of contact moved from a self-affirmation of British authority earlier in the century, to a mutual corruption, to a desire to appropriate perceived traits of Indianess. Looking at texts exclusively produced in Britain, The Savage and Modern Self reveals that the modern finds definition through imagined scenes of cultural contact. By the end of the century, Richardson concludes, the hybrid Indian-Brition emerging in literature and visual culture exemplifies a form of modern, British masculinity.