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Themes of Contemporary Art Robertson

Themes of Contemporary Art By Robertson

Themes of Contemporary Art by Robertson


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Themes of Contemporary Art Summary

Themes of Contemporary Art: Visual Art after 1980 by Robertson

Themes of Contemporary Art: Visual Art after 1980, Fifth Edition, offers students and readers an introduction to recent art. The primary focus is an examination of themes that are widespread in contemporary artistic practice. Individual chapters analyze thematic content in eight groupings: Identity, The Body, Time, Memory, Place, Language, Science, and Spirituality. These eight thematic categories provide a significant sample from which readers can grasp influential concepts that stretch across much of the art of our time. Profiles of key artists and works enhance student understanding of these major themes and the individual approaches and key movements in the world of contemporary art.

About Robertson

Jean Robertson is Chancellor's Professor Emerita of Art History at Indiana University, Herron School of Art and Design, IUPUI. Other books co-authored with Craig McDaniel include Spellbound: Rethinking the Alphabet (Intellect and University of Chicago Press, 2016); and Painting as a Language: Material, Technique, Form, Content (Harcourt, 2000). She is lead co-author with Deborah Hutton of The History of Art: A Global View (Thames & Hudson, 2022). Craig McDaniel is Professor Emeritus of Fine Arts at Indiana University, Herron School of Art and Design, IUPUI. In addition to volumes co-authored with Jean Robertson, McDaniel has published essays on art and culture, most notably a series of articles that reevaluates the practice of painting and the achievements of key painters. In addition to participating in exhibitions of his own art, McDaniel has curated over 50 exhibitions of contemporary art by others. Scott Contreras-Koterbay (guest author) is Professor in the Department of Art & Design, adjunct professor in the Department of Philosophy & Humanities, and Director of the Bert C. Bach Fine & Performing Scholars in the Honors College at East Tennessee State University. He is co-author with Lukasz Mirocha of The New Aesthetic and Art: Constellations of the Postdigital (Instituut voor Netweerkcultuur, 2016).

Table of Contents

Contents PREFACE INTRODUCTION Themes of Contemporary Art: What, Why, and How A Brief Orientation CHAPTER ONE The World Changes, The Art World Expands Overview of History and Art History: 1980-2020 Traditions Survive, New Trends Arrive Globalization Theory Flexes Its Muscles Impact of the Digital* Social Experience as Art Art Meets Contemporary Culture Artists Respond to the Anthropocene PROFILE: Hito Steyerl* CHAPTER TWO: Identity A Focus on Identity in Art History Identity Is Collective and Relational Identity Politics Otherness and Representation Essentialism Versus Diversity Authenticity and Hybridity Identity Is Constructed Deconstructing Difference The Fluidity of Identity Synthetic Identities Fictional Identities Are We Post-Identity? PROFILE: Shirin Neshat PROFILE: Ryan Trecartin and Lizzie Fitch CHAPTER THREE: The Body Past Figurative Art Performing Bodies The Body Beautiful Grotesque Bodies The Body Is a Battleground Sexual Bodies Gazing at Bodies Mortal Bodies Classifying Humans in the Genomic Age Posthuman Bodies PROFILE: Renee Cox PROFILE: Zhang Huan CHAPTER FOUR: Time Changing Views of Time Time and Art History Time as a Medium Live Art Film and Video Process Art Exploring the Structure of Time Counting and Measuring Time Reordering Time PROFILE: Hiroshi Sugimoto PROFILE: Ragnar Kjartansson CHAPTER FIVE: Memory Memory and Art History The Texture of Memory Memory Is Emotional Memory Is Unreliable Memory Is Multisensory Strategies for Representing the Past Displaying Evidence Reenacting the Past Fracturing Narratives and Reshuffling Memories Storehouses of Memory Revisiting the Past Recovering History Rethinking History Reframing the Present Commemorating the Past PROFILE: Christian Boltanski PROFILE: Brian Tolle CHAPTER SIX: Place Places Have Meanings Places Have Value Looking Out for Places Art History's Influence Representations of Space (Most) Works of Art Exist in a Place What's Public? What's Private? Dislocation Fictionalized Places PROFILE: Turbine Hall at Tate Modern PROFILE: Andrea Zittel CHAPTER SEVEN: Language Art and Words: A Quick History Recent Theories of Language Reasons for Using Language Language Makes Meaning Language Takes Form Transparency and Translucency Spatiality and Physicality Books Made by Artists Wielding the Power of Language Confronting the Challenge of Translation Communication in the Digital Age* Text and Power Text as Digital Material PROFILE: Nina Katchadourian PROFILE: Janet Cardiff and George Bures Miller CHAPTER EIGHT: Science What Is Science? Artists as Amateur Scientists Artists Adopt Scientific Tools and Materials Creole Technologies Bio Art The Visual Culture of Science Scientific Imaging and Art Deconstructing the Visual Culture of Science Scientific Displays and Archives Science in Popular Culture The Ideology of Science Changing Paradigms of Science Is Science Running Amok? Activist Art Responds Is Nature Natural? The Anthropocene: Climate Change and More PROFILE: Patricia Piccinini PROFILE: Eduardo Kac CHAPTER NINE: Spirituality Spirituality and Religion Enchantment A Short History Religious Iconography Spiritual Forms and Materials Mingling the Sacred and the Profane Sacred Spaces and Rituals Finding Faith and Harboring Doubt Facing Death, Doom, and Destruction Art and Transcendence PROFILE: Bill Viola PROFILE: Jose Bedia Selected Bibliography Credits Index *Sections authored by Scott Contreras-Koterbay

Additional information

CIN0190078332VG
9780190078331
0190078332
Themes of Contemporary Art: Visual Art after 1980 by Robertson
Used - Very Good
Paperback
Oxford University Press Inc
2021-06-01
464
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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