Contributor Biographies
1 Introduction - Russ Hepworth-Sawyer, Jay Hodgson, and Mark Marrington
PART 1- Music Production and Genre
2 Socio-Technical Networks and Music Production Competencies: Towards an Actor Network Theory of Hip Hop Beat-Making - Matt Shelvock
3 Boom Bap Ex Machina: Hip-Hop Aesthetics and the Akai APC - Michail Exarchos (A.K.A. Stereo Mike)
4 The DAW, Electronic Music Aesthetics, and Genre Transgression in Music Production: The Case of Heavy Metal Music - Mark Marrington
5 Antonio Carlos Jobim: the Author as Producer - Marcio Pinho and Rodrigo Vicente
6 Compost Listening: Vaporwave and the Dissection of Record Production - Josh Ottum
7 Classical Production: Situating Historically Informed Performances in Small Rooms - Robert Toft
PART 2- Music Production and Technology
8 The Politics of Digitizing Analogue Recording Technologies - Pat O'Grady
9 Producing Music for Immersive Audio Experiences -Rob Lawrence
10 Producing 3-D Audio - Justin Paterson and Gareth Llewellyn
11 Popular Music Production in Laptop Studios: Creative Workflows as Problem-Solving Within Ableton Live - Thomas Brett
12 Real-Time, Remote, Interactive Recording Sessions: Music Production Without Boundaries -Zack Moir, Paul Ferguson, and Gareth Dylan Smith
13 Tracking with Processing and Coloring as You Go- Austin Moore
PART 3- Concepts of Production
14 Working with Sound in the DAW: Towards a New Materiality of the Audio-Object - Stace Constantinou
15 Coproduction: Towards a Typology of Collaborative Practice in Music Production - Robert Wilsmore
16 Narrative and the Art of Record Production - Alexander C. Harden
PART 4 - The Context of Production
17 Clever Tools and Social Technologies: To What Extent Does Wider Access to Technology Necessitate a Step Change in Approaches to Teaching Music Production? - Alex Baxter
18 Contemporary Production Success: A Roundtable Discussion With Mid-Career Music Production Professionals - Russ Hepworth-Sawyer
19 Conversations With Women in Music Production - Kallie Marie
Index