Released in the Nineteenth-Century Major Lives and Letters series, this provocative study expands on Wolosky's groundbreaking work on rhetorical and cultural distinctions that mediated 19th-century America's emphasis on gender, predicating the rhetoric intersecting the literal and cultural. Wolosky is insightful in illuminating the gender, racial, regional, ethnic, civic, economic, and religious underpinnings of political and rhetorical constructions that define diverse poets and their work. Summing Up: Essential. - Choice
Shira Wolosky, one of the most distinguished critics of poetry of our time, has here given us the authoritative literary-cultural study of nineteenth-century American poetry. Poetry and Public Discourse in Nineteenth-Century America offers illuminating accounts of major poets (Poe, Dickinson, Melville, Whitman); a brilliant exploration of the rhetorical strategies of American woman poets (beginning with Anne Bradstreet); a groundbreaking theoretical analysis of the relations between text and context - between public and private spheres of poetic expression, secular and religious languages, rhetorical traditions and issues of gender, region, race, and ethnicity - and a masterful reading of the full spectrum of nineteenth-century America poets, from the local colorists to negro spirituals. This book is the most comprehensive, most insightful history to date of nineteenth-century American poetry. It is also a provocative study of the singular/pluralist grammar of American identity. Finally, it is a far-reaching theoretical exploration of the manifold intersections of poetic form and cultural-historical continuity and change. - Sacvan Bercovitch, Powell M. Cabot Research Professor of American Literature, Harvard University
Poetry and Public Discourse in Nineteenth-Century America picks up on Wolosky's previous ground-breaking work on the gendered basis of distinctions between the public and private to argue that rhetoric is the key medium linking poetics and culture for most writers during this century, attending especially to religious rhetoric as it functions to provide self-definition for poets across a range of beliefs. From Sigourney to Santayana and Stephen Crane - leaning heavily toward the second half of the century - this book contributes significantly to a new understanding of nineteenth-century poetry and culture. - Christanne Miller, Edward H. Butler Professor of Literature, University at Buffalo, SUNY
