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Museum of the History of Science, Oxford: Director's Choice Silke Ackermann

Museum of the History of Science, Oxford: Director's Choice By Silke Ackermann

Museum of the History of Science, Oxford: Director's Choice by Silke Ackermann


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Summary

Part of the acclaimed Director's Choice series, an insight is offered into the Museum of the History of Science by the Director's choice of favourite items.

Museum of the History of Science, Oxford: Director's Choice Summary

Museum of the History of Science, Oxford: Director's Choice by Silke Ackermann

The stunning seventeenth-century 'Old Ashmolean Building' on Broad Street in Oxford houses one of the finest collections of early instruments from Europe and the Islamic world. Together with a fascinating range of material from the eighteenth century to the present day, these artefacts offer an intriguing insight into ingenuity and creativity, and tell amazing stories of human scientific endeavour in a wider cultural and social context. The Director, Silke Ackermann, hand-picks her favourite items and provides an intimate, idiosyncratic guide to a remarkable collection.

About Silke Ackermann

Dr Silke Ackermann has been Director of the Museum of the History of Science since early 2014, making her the first ever female museum director at the University of Oxford. Prior to that she studied History, Oriental Languages & Cultures and History of Science at Frankfurt/Main (Germany) before joining the British Museum in 1995, where she served in a wide range of curatorial and management roles.

Additional information

GOR010760033
9781785510311
1785510312
Museum of the History of Science, Oxford: Director's Choice by Silke Ackermann
Used - Like New
Paperback
Scala Arts & Heritage Publishers Ltd
20160418
80
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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