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Immaterial Labor and Cultural Production Silvio Camargo

Immaterial Labor and Cultural Production By Silvio Camargo

Immaterial Labor and Cultural Production by Silvio Camargo


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Summary

The notion of immaterial labor is, at the beginning of the 21st century, a central issue for understanding the transformations of late capitalism.

Immaterial Labor and Cultural Production Summary

Immaterial Labor and Cultural Production: The Dialectic of Late Capitalism by Silvio Camargo

The notion of immaterial labor is, at the beginning of the 21st century, a central issue for understanding the transformations of late capitalism. Contrary to those who pointed to the emergence of the immaterial as an intellectual fashion, every day, there is evidence that the critical thinking about capitalism requires new reflexive parameters regarding the categories of value, commodity, and wage labor. This book brings unsettling reflections about the inseparability, in the present historical moment, between the spheres of labor and culture, showing that the production of capitalist wealth has presented new features.

About Silvio Camargo

Silvio Camargo holds a bachelors degree in Philosophy from the Federal University of Rio Grande do Sul, and a masters and a doctorate in Sociology from the University of Campinas, Brazil. He is the author of multiple books and articles in the field of contemporary social theory, with an emphasis on critical theory of society. He was Director of the Brazilian Society of Sociology and served as a Visiting Scholar at the University of London.

Additional information

GOR013913924
9781527593978
1527593975
Immaterial Labor and Cultural Production: The Dialectic of Late Capitalism by Silvio Camargo
Used - Like New
Hardback
Cambridge Scholars Publishing
2023-02-24
140
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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