A wry, melancholy, beautiful first novel . . . The language is everywhere precise and graceful . . . Genius * * Guardian * *
Beautifully detailed and honed . . . a poetic testament to the wild, unchartable experience of human loving . . . Sherrill's vision is at once melancholy and deeply affirming. Somewhere in M's inchoate mass of sensation there exists a sharp spark of hope * * Observer * *
Immaculate . . . Sherrill is a beautiful writer . . . he finds the drama to keep you reading, your heart in your mouth, to the conclusion's defiant roar of hope * * Telegraph * *
At once ugly, tender and hopeful . . . Sherrill's Minotaur allows for allusive readings but remains rootedly among us * * Independent * *
Exceptional . . . Steven Sherrill uses M as the vehicle for a finely observed and compassionate portrayal of humanity in all its guises * * Irish Independent * *
This is the most surreal slab of realism you will read all year. Unique and rather wonderful * * Arena * *
Sherrill's dense, poetic style never falters in its creation of a perfect metaphor for the eternal outsider -- CAROL BIRCH * * Wall Street Journal * *
[A] brilliant imagination . . . Every page is a delight worth savouring for a millennium or two * * USA Today * *
Sherrill's narrative, with its dreamlike pace, shows myth coexisting with reality as naturally as it does in ancient epic * * Publisher's Weekly * *
