A strong dash of Strindberg in the couples mutually destructive, well-rehearsed patterns of torture and recrimination... The voice of the angry young man reverberates around this two-hander of domestic strife and futile social rebellion. -- Sam Marlowe * The Times *
A painfully honest play...Ted Whiteheads play caused a stir at the Royal Court in 1972 and has rarely been seen since. I cant think why; as a portrait of domestic entrapment, it rivals Strindbergs The Dance of Death. -- Michael Billington * The Guardian *
A strong dash of Strindberg in the couple's mutually destructive, well-rehearsed patterns of torture and recrimination... The voice of the angry young man reverberates around this two-hander of domestic strife and futile social rebellion. * Sam Marlowe, The Times *
Raw, vibrating energy...undeniably gripping. * Genni Trickett, LondonTheatre1 *
A painfully honest play...Ted Whitehead's play caused a stir at the Royal Court in 1972 and has rarely been seen since. I can't think why; as a portrait of domestic entrapment, it rivals Strindberg's The Dance of Death. * Michael Billington, The Guardian *
A sharp and nuanced take on regret and want...Some smart and blackly comic moments" Karl O'Doherty, The Public Reviews; "Powerful and chilling * Gerald Berkowitz, TheatreGuideLondon *
A play as relevant today as it was in 1972, and it speaks volumes about how deceptively little the changing landscape of gender politics has affected certain sections of society * Rik Baker, Exeunt *
The combination of Whitehead's skill in creating multi-faceted characters and writing dialogue that really packs a punch, with Morell's innovative directorial choices make Alpha Beta a fantastic theatrical experience. * Emily Jones, Bargain Theatre Land *