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Music for Analysis Thomas Benjamin

Music for Analysis By Thomas Benjamin

Music for Analysis by Thomas Benjamin

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Music for Analysis Summary

Music for Analysis: Examples from the Common Practice Period and the Twentieth Century by Thomas Benjamin

Offering 470 pieces of music from the Baroque period to the present, Music for Analysis: Examples from the Common Practice Period and the Twentieth Century, Seventh Edition, is the most comprehensive anthology of its kind. FEATURES* Provides 363 excerpts organized logically by harmonic content and 107 complete pieces; ideal for traditional form and analysis courses as well as tonal harmony courses* Includes an audio CD of 145 examples from the text, played on the piano, harpsichord, or organ* Integrates ten Model Analyses showing the detail expected at each level of study and reinforcing the goal of comprehensive analysis* Guides study both within and outside of class, offering Suggestions for Discussion and Questions for Analysis throughout * Features a detailed Index of Composers and Their Compositions and an Index of Complete PiecesNEW TO THE SEVENTH EDITION* Seven new Model Analyses (four chromatic tonal excerpts and three from the twentieth century)* Two additional complete pieces (a four-movement Beethoven sonata and the prelude to Act I of Tristan und Isolde)* A CD icon with track numbers appearing next to the 145 musical examples that can be found on the accompanying audio CD

Music for Analysis Reviews

Outstanding features include the number and variety of examples (in style, genre, and performance medium), their organization by topic, the CD, the Model Analyses, the complete pieces, and the analytical guidelines and questions. The new Model Analyses add more depth to the text and enable it to be used in a wider variety of class offerings. As an anthology that can be used for both harmony and form classes (or a combination thereof), this text can't be beat.--Ellon Carpenter, Arizona State University I have never seen an anthology that comes close to this one for extensiveness, playability, variety, and practicality for theory classes.--Robert Young McMahan, The College of New Jersey

About Thomas Benjamin

Thomas Benjamin is Professor of Music Theory and Composition at the Peabody Conservatory of the Johns Hopkins University. Michael Horvit is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music. Robert Nelson is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.

Table of Contents

* = Indicates new to this edition DR = Indicates inclusion on CD Each Part opens with Suggestions for Discussion CD Track List Preface Suggestions for Using This Book PART I: DIATONIC MATERIALS 1) TONIC TRIAD Questions for Analysis 1. HAYDN, Sonatina in G major, Hob. XVI: 8 DR 2. CZERNY, Sonatina, op. 792, no. 8 3. RIMSKY-KORSAKOV, Le Coq d'Or: Hymn to the Sun 4. BEETHOVEN, Leonora Overture No. 2, op. 72 5. BEETHOVEN, Trio, op. 70, no. 2 6. CHOPIN, Polens Grabgesang, op. 74 DR 7. CHOPIN, Valse (Posthumous) 8. BEETHOVEN, Symphony No. 5, op. 67 9. COUPERIN, Carnival 2) DOMINANT TRIAD IN ROOT POSITION Questions for Analysis DR 10. MOZART, Rondo DR 11. KUHNAU, Biblical Sonata No. 1: Victory Dance and Festival DR 12. BEETHOVEN, Fur Elise 13. SCHUMANN, Album for the Young, op. 68: Reiterstuck 14. WEBER, Euryanthe, op. 81: Overture 15. BEETHOVEN, Symphony No. 5, op. 67 3) DOMINANT SEVENTH AND NINTH IN ROOT POSITION Questions for Analysis Model Analysis DR 16. WEBER, German Dance DR 17. MOZART, Sonata, K. 332 18. SCHUBERT, Wiegenlied, op. 98, no. 2 19. VERDI, Rigoletto, Act I, no. 2 DR 20. HAYDN, Sonata in E major, Hob. XVI: 13 21. BEETHOVEN, Symphony No. 4, op. 60 22. WEBER, Oberon: Overture DR 23. SCHUBERT, Landler DR 24. SCHUBERT, Valses Nobles, op. 77 25. MOZART, Valse 4) SUBDOMINANT TRIAD IN ROOT POSITION Questions for Analysis DR 26. SCHEIDT, Bergamasca DR 27. SCHUMANN, Faschingsschwank aus Wien, op. 26, no. 3: Scherzino DR 28. CHOPIN, Mazurka, op. 17, no. 1 29. BEETHOVEN, Egmont Overture, op. 84 30. VERDI, Rigoletto, Act I, no. 7 DR 31. SCHUBERT, Impromptu, op. 90, no. 4, D. 899 32. KERN, Look for the Silver Lining DR 33. BEETHOVEN, Seven Country Dances, no. 7 DR 34. SCHUBERT, Landler 5) CADENTIAL TONIC SIX-FOUR CHORD Questions for Analysis DR 35. SCHUBERT, Valses Sentimentales, op. 50, no. 18 36. CHOPIN, Mazurka, op. 24, no. 3 37. DONIZETTI, Lucia di Lammermoor, Act II, no. 6 38. BEETHOVEN, Trio, op. 97 6) TONIC, SUBDOMINANT, AND DOMINANT TRIADS IN FIRST INVERSION Questions for Analysis Model Analysis DR 39. BACH, Lobt Gott, ihr Christen, allzugleich 40. MOZART, Bastien und Bastienne, K. 46B, no. 9 DR 41. MOZART, Sonata, K. 332 DR 42. HAYDN, Sonata in D major, Hob. XVI:37 43. MOZART, Abendempfindung, K. 523 44. BEETHOVEN, Symphony No. 5, op. 67 45. BEETHOVEN, Fidelio, Act I, no. 9 DR 46. MOZART, Sonata, K. 570 47. MENDELSSOHN, Elijah, op. 70, no. 29 DR 48. COUPERIN, Le Petit Rien 49. DANDRIEU, Les Fifres 7) SUPERTONIC TRIAD Questions for Analysis DR 50. ANONYMOUS, Dir, dir, Jehovah, will ich singen DR 51. SCHUBERT, Waltz, op. 9, no. 3, D. 365 DR 52. BEETHOVEN, Six Variations on Nel cor piu non mi sento 53. MOZART, Die Zauberfloete, K. 620, Act II, no. 21 54. CHOPIN, Zwei Leichen 55. BEETHOVEN, Trio, op. 121A 56. VERDI, Rigoletto, Act II, no. 14 DR 57. CHOPIN, Mazurka, op. 33, no. 2 58. HAYDN, Sonata in E minor, Hob. XVI: 34 8) INVERSIONS OF THE DOMINANT SEVENTH CHORD Questions for Analysis DR 59. J. C. F. BACH, Nun danket alle Gott DR 60. HAYDN, Sonata in C major, Hob. XVI: 35 61. PAISIELLO, Le donne sur balcone 62. MOZART, Quartet, K. 464 DR 63. BEETHOVEN, Sonata, op. 31, no. 3 64. RAMEAU, Sarabande I, vol. I 65. HAYDN, Trio in C major, Hob. XV: 3 DR 66. KUHLAU, Sonatina, op. 20, no. 1 67. BEETHOVEN, Symphony No. 2, op. 36 DR 68. BEETHOVEN, Minuet in C 9) LINEAR (EMBELLISHING) SIX-FOUR CHORDS Questions for Analysis 69. BEETHOVEN, Concerto No. 1 for Piano, op. 15 DR 70. SCHUBERT, Valses Sentimentales, op. 50, no. 1, D. 779 DR 71. MOZART, Rondo, K. 485 72. HAYDN, Quartet, op. 3, no. 5 DR 73. SCHUBERT, Waltz, op. 9, no. 1, D. 365 DR 74. KUHLAU, Sonatina, op. 88, no. 3 75. MOZART, Symphony No. 35, K. 385 DR 76. BEETHOVEN, Sonatina in G major 77. BEETHOVEN, Symphony No. 7, op. 92 78. MOZART, Symphony No. 41, K. 551 DR 79. HAYDN, Sonata in D major, Hob. XVI: 37 DR 80. BEETHOVEN, Contradanse 81. BUXTEHUDE, Passacaglia 82. BEETHOVEN, Symphony No. 3, op. 55 83. GOUNOD, Faust, Act I, no. 6 84. SULLIVAN, H.M.S. Pinafore, 121. MOZART, Sonata for Violin and Piano, K. 306 DR 122. HAYDN, Sonatina in C major, Hob. XVI: 7 123. SCHUBERT, Aufenthalt 124. SCHUBERT, Der Wanderer 125. BRAHMS, Symphony No. 3, op. 90 126. VERDI, Il Trovatore, Act II, no. 11 127. BEETHOVEN, Symphony No. 5, op. 67 128. BRAHMS, Symphony No. 4, op. 98 13) SUPERTONIC SEVENTH CHORD Questions for Analysis DR 129. ANONYMOUS, Herr, wie du willst, so schick's mit mir 130. BACH, Straf' mich nicht in deinem Zorn 131. HAYDN, Sonata in A major, Hob. XVI: 46 DR 132. GRIEG, Voegtersang 133. BEETHOVEN, Symphony No. 6, op. 68 134. SCHUBERT, Quartet, op. 168, D. 112 DR 135. MOZART, Sonata, K. 310 136. SCHUBERT, Standchen 137. BEETHOVEN, Symphony No. 2, op. 36 DR 138. BEETHOVEN, Sonata, op. 14, no. 2 139. BEETHOVEN, Symphony No. 6, op. 68 140. BIZET, Carmen, Act II: Entr'acte 141. RODGERS, Blue Moon 14) LEADING TONE SEVENTH CHORD Questions for Analysis 142. DVORAK, Quartet, op. 96 DR 143. MOZART, Sonata, K. 457 DR 144. SCHUMANN, Carnaval, op. 9: Chiarina DR 145. BRAHMS, Ballade, op. 10, no. 4 146. HANDEL, Sonata for Flute and Continuo DR 147. HAYDN (?), Allegro 148. HAYDN, Trio in G major, Hob. XV: 25 149. MOZART, Requiem, K. 626: Offertorium DR 150. HAYDN, Sonatina in G major, Hob. XVI: 11 151. HANDEL, Judas Maccabaeus, Part III: no. 53, Introduction 152. WAGNER, Das Rheinghold, Scene 1 153. GLUCK, Orphee, Act I, no. 1 154. HANDEL, Aria con Variazioni, Lecon No. 1 98 155. TELEMANN, Fantasia, 1er Dozzina, no. 5 156. MOZART, Sonata for Violin and Piano, K. 306 15) OTHER DIATONIC SEVENTH CHORDS Questions for Analysis DR 157. BACH, O Ewigkeit, du Donnerwort 158. MOZART, Rondo. K. 494 DR 159. MENDELSSOHN, Kinderstuck, op. 72, no. 1 160. PACHELBEL, Fantasie 161. HANDEL, Sonata for Flute and Continuo 162. HANDEL, Lecon No. 2, Menuet 163. TCHAIKOVSKY, Symphony No. 4, op. 36 DR 164. BACH, French Suite in D minor 16) COMPLETE PIECES FOR ANALYSIS I Questions for Analysis DR 165. BEETHOVEN, Minuet DR 166. SCHUBERT, Dance DR 167. SCHUBERT, German Dance, op. 33, no. 12 DR 168. BEETHOVEN, Scottish Dance 169. PURCELL, Rigadoon 170. RAMEAU, Minuet DR 171. WITT, Passacaglia 172. GRIEG, Norsk PART II: CHROMATIC MATERIALS 17) SECONDARY (APPLIED, BORROWED) DOMINANTS Questions for Analysis Model Analysis 173. BEETHOVEN, Trio, op. 1, no. 1 174. MOZART, Sonata, K. 281 DR 175. SCHUBERT, Impromptu, op. 142, no. 3 176. HAYDN, Trio in D major DR 177. BEETHOVEN, Sonatina in G major 178. WEBER, Oberon: Overture 179. BEETHOVEN, Trio, op. 1, no. 1 DR 180. SCHUMANN, Sonata, op. 118c., Andante 181. BEETHOVEN, Symphony No. 1, op. 21 DR 182. HANDEL, Suite XI 183. SCHUMANN, Arabeske, op. 18 184. BEETHOVEN, Symphony No. 4, op. 60 185. SCHUMANN, Widmung, op. 25, no. 1 186. SCHUBERT, Symphony No. 8 (Unfinished) 187. SCHUMANN, Sonata, op. 118c126 ., Puppenwiegenlied 188. SCHUBERT, Quintet (Die Forelle), op. 114, D. 667 189. BEETHOVEN, Quintet, op. 29 190. BEETHOVEN, Trio, op. 11 191. VERDI, Rigoletto, Act II, no. 7 192. HANDEL, Suite XVI DR 193. BEETHOVEN, Sonata, op. 53 194. SCHUBERT, Symphony in C major (

Additional information

CIN0195379837G
9780195379839
0195379837
Music for Analysis: Examples from the Common Practice Period and the Twentieth Century by Thomas Benjamin
Thomas Benjamin
Used - Good
Hardback
Oxford University Press Inc
20091101
592
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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