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I. COMMON PRACTICE TECHNIQUES: DIATONIC. 1. Rhythm: One-and Two-Pulse Units (Unmetered). Pitch: The Major Scale. 2. Rhythm: Simple Meters. Pitch: Introducing Thirds. Pitch: Introducing Fourths. 3. Pitch: Tonic Triad in the Major Mode. Introducing Fifths, Sixths, and Octaves. 4. Rhythm: 2:1 Subdivisions of the Beat. Pitch: I, V, and V7. Introducing Sevenths. 5. Rhythm: Anacruses (Upbeats) and 4:1. Subdivisions of the Beat. Pitch: I, IV, V, and V7. Pitch: Introducing the Alto Clef. 6. Rhythm: Dots and Ties. Pitch: Minor Mode. 7. Music from the Literature. 8. Rhythm: Compound Meter. Pitch: All Diatonic Triads. Pitch: Tenor Clef. 9. Rhythm: Triplets and Duplets. 10. Music from the Literature. 11. Rhythm: Syncopation. Pitch: Seventh Chords. II. COMMON PRACTICE TECHNIQUES: CHROMATIC. 12. Pitch: Decorative Chromaticism. Pitch: Inflected Scale Degrees. Pitch: Scalar Variants in Minor. Pitch: Modal Borrowing. 13. Music from the Literature. 14. Pitch: Secondary Dominants. 15. Pitch: Modulations to Closely Related Keys. 16. Music from the Literature. 17. Rhythm: Quintuple Meters. Pitch: Chromaticism Implying Altered Chords. Modulation to Nonclosely Related Keys. 18. Music from the Literature. III. TWENTIETH-CENTURY TECHNIQUES. 19. Rhythm: Irregular Meters. Pitch: Diatonic Modes. Pitch: Changing Clefs. 20. Rhythm: Changing Meters. Pitch: Pandiatonicism. 21. Rhythm: Syncopation. Pitch: Extended and Altered Tertian Harmony. 22. Pitch: Exotic Scales. 23. Rhythm: Complex Divisions of the Beat. Pitch: Quartal Harmony. 24. Rhythm: Polyrhythms and Polymeters. Pitch: Polyharmony and Polytonality. 25. Pitch: Interval Music. 26. Serial Music. 27. Music from the Literature.