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Arms and Armour of the Renaissance Joust Tobias Capwell

Arms and Armour of the Renaissance Joust By Tobias Capwell

Arms and Armour of the Renaissance Joust by Tobias Capwell


$16.99
Condition - Like New
Out of stock

Summary

Tobias Capwell continues his history of jousting through surviving artefacts at the Royal Armouries. He reveals how the jousts and tournaments of the Renaissance transported knightly combat into a performance art, with demonstrations of aristocratic skill, superhuman strength and cutting-edge equipment.

Arms and Armour of the Renaissance Joust Summary

Arms and Armour of the Renaissance Joust by Tobias Capwell

The Renaissance is best known as an age of artists Michelangelo, da Vinci, Titian and Holbein but it is also the age of the noble patrons who challenged their painters and sculptors to create great art. These patrons were knights, military leaders and jousters. They played a central role in the story of another great Renaissance story, that of the armourer.

Here, Tobias Capwell continues his history of jousting seen through surviving artefacts in the collection of the Royal Armouries. He reveals how the jousts and tournaments of the Renaissance transported knightly combat into a kind of performance art, with demonstrations of aristocratic skill and nerve, of superhuman strength and superlative horsemanship and of cutting-edge equipment.

About Tobias Capwell

Tobias Capwell FSA is Curator of Arms and Armour at the Wallace Collection, London. He is an expert on the study of medieval and Renaissance armour, and a skilled competitor in the modern competitive jousting community.

Additional information

GOR012015190
9780948092992
0948092998
Arms and Armour of the Renaissance Joust by Tobias Capwell
Used - Like New
Paperback
Trustees of the Royal Armouries
2021-06-01
96
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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