Given the elastic qualities of vampirism, it is not surprising that the book comes together as a collage of artistic and literary artefacts that are rather impressive in their range. Longinovic has at his disposal, it seems, the entire cultural repository of the South Slavs, drawing on oral literature, popular music, contemporary novels and even political speeches. His crossings between genres and forms aptly demonstrate the entrenched overlap between, say, populist political rhetoric and literary tropes. . . . [T]here is plenty to bite into in this book. - Dragana Obradovic, Times Higher Education Supplement
Vampire Nation... offers a unique deconstruction of Serbian nationalism through a detailed textual analysis of the vampire metaphor.... The intelligent and eloquent prose makes Vampire Nation a thoughtful and distinctive study of Serbian identity and the cultural vampire. The book can be described as a different and unique ethnographic study of violence in the former Yugoslavia. - Anastasia Karakasidou, Anthropological Quarterly
Longinovic's study will be stimulating both to vampirology and to Balkan studies, particularly in its thought provoking analogy between the post-Oriental and post-Communist condition. The study is also a valuable contribution to the tradition of critique: Longinovic's sustained censure of concealed forms of cultural racism and political imperialism will find favour with deconstructionist scholars and critical thinkers. - Vladimir Zoric, Modern Language Review
Vampire Nation: Violence as a Cultural Imaginary is a welcome and needed contribution to the conversation on the post-Yugoslavia reality and the future construction of the Balkans for scholars of the region and the literature and culture. Longinovic does a remarkably skillful job in navigating the turbulent and, for many, dangerous political and cultural waters following the collapse of Yugoslavia and the aftermath of the Balkan wars, creating a highly readable and engaging volume. - Thomas J. Garza, Slavic and East European Journal
Overall, however, employing psychoanalytic discourses to explore how the concept of vampirism figures in contemporary national imaginaries to justify violence opens up exciting new avenues of critical inquiry - a welcome theoretical extension of a concept that has become an overused, oversimplified pop-cultural cliche. - Natasa Kovacevic, Slavonic and East European Review
Nevertheless, this volume is a valuable addition to existing studies of the Balkans, and it will be of interest to all those seeking to explore the constructions of national and cultural identity after the imperial submission and the wars of twentieth-century Europe. - Vedrana Velickovic, Slavic Review
[T]he specific issues Longinovic addresses and the book's main arguments are... convincing, offering an insider's view of the cultural-historical creation of the Serbian identity, and juxtaposing it with an insightful analysis of the American and West European imaginary of the latter. - Radina Vucetic, Slavonica
This fascinating and important post-Yugoslav study of violence, especially in relation to Serbia and the Serbs, poses crucial questions about how Serbian violence has been understood from within Serbian culture, from within the Yugoslav and post-Yugoslav framework, and from the external perspective of the European gaze. Tomislav Z. Longinovic, one of the world's leading scholars on South Slavic literature and culture, offers a cultural study that provocatively illuminates the complexities of Serbian identity, the metaphor of vampirism in southeastern Europe, the meaning of violence within an imagined community, and the mental mapping of the former Yugoslavia.-Larry Wolff, author of Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment
Vampire Nation: Violence as a Cultural Imaginary is a welcome and needed contribution to the conversation on the post-Yugoslavia reality and the future construction of the Balkans for scholars of the region and the literature and culture. Longinovic does a remarkably skillful job in navigating the turbulent and, for many, dangerous political and cultural waters following the collapse of Yugoslavia and the aftermath of the Balkan wars, creating a highly readable and engaging volume. -- Thomas J. Garza * Slavic and East European Journal *
Vampire Nation... offers a unique deconstruction of Serbian nationalism through a detailed textual analysis of the vampire metaphor.... The intelligent and eloquent prose makes Vampire Nation a thoughtful and distinctive study of Serbian identity and the cultural vampire. The book can be described as a different and unique ethnographic study of violence in the former Yugoslavia. -- Anastasia Karakasidou * Anthropological Quarterly *
Given the elastic qualities of vampirism, it is not surprising that the book comes together as a collage of artistic and literary artefacts that are rather impressive in their range. Longinovic has at his disposal, it seems, the entire cultural repository of the South Slavs, drawing on oral literature, popular music, contemporary novels and even political speeches. His crossings between genres and forms aptly demonstrate the entrenched overlap between, say, populist political rhetoric and literary tropes. . . . [T]here is plenty to bite into in this book. -- Dragana Obradovic * Times Higher Education *
Longinovic's study will be stimulating both to vampirology and to Balkan studies, particularly in its thought provoking analogy between the post-Oriental and post-Communist condition. The study is also a valuable contribution to the tradition of critique: Longinovic's sustained censure of concealed forms of cultural racism and political imperialism will find favour with deconstructionist scholars and critical thinkers. -- Vladimir Zoric * Modern Language Review *
