Victoria Bladen is Sessional Lecturer and Honorary Research Fellow at The University of Queensland, Australia. She has published six Shakespearean text guides in the Insight Publications series, most recently The Merchant of Venice (2020) and Much Ado About Nothing (2019). She co-edited Shakespeare on Screen: King Lear (CUP 2019), Shakespeare and the Supernatural (2020), Supernatural and Secular Power in Early Modern England (2015) and Shakespeare on Screen: Macbeth (2013). Victoria is on the editorial board for the Shakespeare on Screen in Francophonia Database (shakscreen.org). Sarah Hatchuel is Professor of Film and Media Studies at the University Paul-Valery Montpellier 3, and former president of the Societe Francaise Shakespeare. She has written extensively on adaptations of Shakespeare's plays (Shakespeare and the Cleopatra/Caesar Intertext: Sequel, Conflation, Remake, 2011; Shakespeare, from Stage to Screen, Cambridge University Press, 2004; A Companion to the Shakespearean Films of Kenneth Branagh, 2000) and on TV series (Lost: Fiction vitale, 2013; Reves et series americaines: la fabrique d'autres mondes, 2015; The Leftovers: le troisieme cote du miroir, 2019). Nathalie Vienne-Guerrin is Professor in Shakespeare studies at the University Paul Valery Montpellier 3 and director of the 'Institut de Recherche sur la Renaissance, l'age Classique et les Lumieres' (IRCL, UMR 5186 CNRS). She is co-editor-in-chief of the international journal Cahiers Elisabethains and co-director (with Patricia Dorval) of the Shakespeare on Screen in Francophonia Database (shakscreen.org). She has published The Unruly Tongue in Early Modern England, Three Treatises (2012) and is the author of Shakespeare's Insults: A Pragmatic Dictionary (2016).
