Name: Dantes Paradiso and the Theological Origins of Modern Thought By William Franke
SKU: 9780367714666
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Dantes Paradiso and the Theological Origins of Modern Thought Summary

Dantes Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection by William Franke

Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dantes lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can lead also to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dantes thought and work indicate an alternative modernity along the path not taken. This other way shows up in Nicholas of Cusas conjectural science and in Giambattista Vicos new science of imagination as alternatives to the exclusive reign of positive empirical science. In continuity with Dantes vision, they contribute to a reappropriation of self-reflection for the humanities.

Dantes Paradiso and the Theological Origins of Modern Thought Reviews

"With his characteristic creativity, originality, and humane learning on full display, William Franke reconsiders the historical role of self-reflection in human language and thought. This book explores how self-reflection emerged as one of the chief characteristics of the modern age, often devolving into self-enclosed narcissism. Through an immersive study of language, lyric, and theology in Dantes Paradiso, Franke charts a way out of modern cultural narcissism by developing Dantes model of self-reflection as a way of opening the self up to others and even to the Divine. Frankes bracing and compelling argument is sure to be a major contribution to theological studies of Dantes Divine Comedy by giving readers a Dante they can think with about the problems and possibilities of life in modernity."

Matthew A. Rothaus Moser, Honors College, Azusa Pacific University

"Franke has long been a pathbreaker in Dante Studies. The current book is a tour de force demonstration that he continues to play that role. The connection he skilfully interweaves between Dantes absolute mastery of the lyric style of poetry and the modern crisis arising from the inner ambiguity of "self-reflection" at the origin of language and self-consciousness will prove an immensely fruitful focus of discussion, not just regarding Dante, but in philosophy of the person, comparative literature and cultural studies generally."

Frank Ambrosio, Professor of Philosophy, Georgetown University

"Both rigorous and evocative, this book provides a powerful invitation to recognize in Dantes Paradiso resources for profound philosophical and theological illumination. Franke shows that Dantes lyric language can help shatter towards transcendence the sterile self-referentiality that characterizes much modern thinking."

Vittorio Montemaggi, Senior Lecturer in Religion and the Arts, Kings College London

"Beyond its considerable value as a thoughtful and thought-provoking study of lyric self-reflexivity and transcendence with Dante as a focal point, Frankes book will be an important resource for scholars in a wide array of areas in literary criticism, literary theory, and philosophy."

Gregorgy B. Stone, Joseph S. Yenni Professor of Italian Studies, Professor of French and Comparative Literature, Louisiana State University

"In Dantes Paradiso and the Theological Origins of Modern Thought, William Franke fruitfully explores the entwined questions of possibilities and perils of self-reflection and narcissism. Narcissism becomes, in this book, the major textual clue and theoretical term for exploring the Dantean and Scotian alternatives to the pre-modern history of modern metaphysics and epistemology. Pursuing this clue, Franke begins from the thought that, if the world is nothing but a specular image of the divine, then Gods relationship to the world can be understood to some degree as fundamentally narcissistic. However, as Franke also shows, it is also possible to see in the Dantean and Scotian alternatives different ways in which human imitation of that narcissistic relationship can play out. In exploring these alternatives, Franke offers a fresh and intriguing approach to his already significant contributions to two genres of recent work in Dante Studies: work motivated by methodological commitments to contemporary critical theory and work on Dantes theology."

Jason Aleksander, Professor of Philosophy and Associate Dean of Faculty Success and Research, College of Humanities and the Arts, San Jose State University