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Film, TV and Radio
Film, TV & Radio Books
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A Guide to Silent Westerns
by Larry Langman
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The Hispanic Image on the Silver Screen
by Alfred Richard
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Robert Wise
by Frank Thompson
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One Night Stand Series, 1-1001
by Harry Mackenzie
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Outsider Features
by Richard K. Ferncase
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Henry Fonda
by Kevin Sweeney
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Buster Keaton
by Joanna Rapf
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Film
by Robert Armour
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The Passion of Dennis Potter
by NA NA
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Drawn to Television
by M. Keith Booker
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Cinema and Life Development
by Thomas Peake
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The Modern Fantastic
by Michael Grant
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From Alice to Buena Vista
by Roger Bromley
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Understanding Society, Culture, and Television
by Paul Monaco
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Women Directors
by Barbara Quart
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The Casting Couch and Other Front Row Seats
by Marsha Mccreadie
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Visions of Struggle in Women's Filmmaking in the Mediterranean
by F. Laviosa
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European Cinema and Intertextuality
by E. Mazierska
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A Feminine Cinematics
by Caroline Bainbridge
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Hitchcock and Contemporary Art
by C. Sprengler
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Film Stardom, Myth and Classicism
by M. Williams
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Hollywood and Intimacy
by S. Peacock
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Screenwriting in a Digital Era
by Kathryn Millard
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Love, Mortality and the Moving Image
by E. Wilson
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British Crime Film
by Barry Forshaw
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Screening the Face
by P. Coates
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Henry: Portrait of a Serial Killer
by Shaun Kimber (Bournemouth University, Bournemouth)
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Screening the Unwatchable
by A. Gronstad
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The City and the Moving Image
by R. Koeck
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Memory and Imagination in Film
by P. Lombardo
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Spain on Screen
by A. Davies
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Hollywood and the American Historical Film
by J.E. Smyth (University of Warwick, Coventry)
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Destabilizing the Hollywood Musical
by K. Kessler
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Women on the Edge: Twelve Political Film Practices
by S. Tay
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East Asian Cinema and Cultural Heritage
by Yau Shuk-ting, Kinnia
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The Medieval Motion Picture
by A. Johnston
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Cinema, Technologies of Visibility, and the Reanimation of Desire
by V. Hausmann
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Screen Theory Culture
by M. Nash
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The New Film History
by J. Chapman
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Sensing the Past
by Jim Cullen (, Ethical Culture Fieldston School, Hastings-on-Hudson, New York, USA)
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Saying It With Songs
by Katherine Spring (Assistant Professor of Film Studies, Assistant Professor of Film Studies, Wilfrid Laurier University, Waterloo, Canada, Canada)
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American Obscurantism
by Peter Lurie (Associate Professor of Film, Associate Professor of Film, University of Richmond)
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A Cinema of Loneliness
by Robert Kolker (Emeritus Professor of English, Emeritus Professor of English, University of Maryland, Charlottesville, VA)
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Surviving Images
by Kamran Rastegar (Associate Professor of Arabic Literature and Culture, Associate Professor of Arabic Literature and Culture, Tufts University)
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Feminist Discourse and Spanish Cinema
by Susan Martin-Marquez (Assistant Professor in the Department of Spanish and Portuguese, Assistant Professor in the Department of Spanish and Portuguese, Rutgers University)
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Soviet Art House
by Catriona Kelly (Professor of Russian, Professor of Russian, University of Oxford)
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Alfred Hitchcock's Psycho
by Robert Kolker (Professor Emeritus, Professor Emeritus, University of Maryland)
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Orson Welles's Citizen Kane
by James Naremore (Chancellors' Professor in the Department of Communication and Culture, English and Comparative Literature, Chancellors' Professor in the Department of Communication and Culture, English and Comparative Literature, Indiana University)
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