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History of Art / Design Styles
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Byzantine Art and Architecture
by Lyn Rodley (Society for the Promotion of Hellenic Studies, London)
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Practice and Theory in the Italian Renaissance Workshop
by Christina Neilson (Oberlin College, Ohio)
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Rome in the Eighth Century
by John Osborne (Carleton University, Ottawa)
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Roman Imperialism and Provincial Art
by Sarah Scott (University of Leicester)
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Art and the Culture of Love in Seventeenth-Century Holland
by H. Rodney Nevitt Jr. (University of Houston)
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Art and Writing in the Maya Cities, AD 600800
by Adam Herring (Southern Methodist University, Texas)
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Learning through Images in the Italian Renaissance
by Federico Botana
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Art and Society in Cyprus from the Bronze Age into the Iron Age
by Joanna S. Smith (Princeton University, New Jersey)
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The Cambridge Companion to Piero della Francesca
by Jeryldene M. Wood (University of Illinois, Urbana-Champaign)
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Visualizing Boccaccio
by Jill M. Ricketts
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Sight and Spirituality in Early Netherlandish Painting
by Bret L. Rothstein
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Early Greek Portraiture
by Catherine M. Keesling (Georgetown University, Washington DC)
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The Nude in French Art and Culture, 18701910
by Heather Dawkins (Simon Fraser University, British Columbia)
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Art, Theory, and Culture in Sixteenth-Century Italy
by Robert Williams (University of California, Santa Barbara)
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Women, Art, and Spirituality
by Jeryldene M. Wood (University of Illinois, Urbana-Champaign)
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The Drawings of Michelangelo and his Followers in the Ashmolean Museum
by Paul Joannides (University of Cambridge)
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The Origins of Roman Historical Commemoration in the Visual Arts
by Peter J. Holliday (California State University, Long Beach)
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Epigram, Art, and Devotion in Later Byzantium
by Ivan Drpic (University of Washington)
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Early Hellenistic Portraiture
by Peter Schultz (Concordia College, Moorhead, Minnesota)
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The Furniture and Furnishings of Ancient Greek Houses and Tombs
by Dimitra Andrianou
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Defining the Renaissance 'Virtuosa'
by Fredrika H. Jacobs (Virginia Commonwealth University)
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Interpreting the Images of Greek Myths
by Klaus Junker (Johannes Gutenberg Universitat Mainz, Germany)
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The Victorian Artist
by Julie F. Codell (Arizona State University)
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Beyond Aesthetics
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Interpreting Ancient Figurines
by Richard G. Lesure (University of California, Los Angeles)
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The Letters of Lucien to Camille Pissarro, 18831903
by Lucien Pissarro
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Pausanias' Greece
by K. W. Arafat (King's College London)
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Abstract Art Against Autonomy
by Mark A. Cheetham (University of Toronto)
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Greek Vase-Painting and the Origins of Visual Humour
by Alexandre G. Mitchell (University of Oxford)
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The Cambridge Companion to Delacroix
by Beth S. Wright (University of Texas, Arlington)
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Modern Art and the Grotesque
by Frances S. Connelly (University of Missouri, Kansas City)
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Surrealism and the Visual Arts
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The Invention of Art History in Ancient Greece
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The Cambridge Companion to the Pre-Raphaelites
by Elizabeth Prettejohn (University of Bristol)
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The Death of the Baroque and the Rhetoric of Good Taste
by Vernon Minor (University of Colorado, Boulder)
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The Aesthetics of Emulation in the Visual Arts of Ancient Rome
by Ellen Perry (College of the Holy Cross, Massachusetts)
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Women and Visual Replication in Roman Imperial Art and Culture
by Jennifer Trimble (Stanford University, California)
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The Social History of Roman Art
by Peter Stewart (Courtauld Institute of Art, London)
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Papacy and Politics in Eighteenth-Century Rome
by Jeffrey Collins (Professor of 17th- and 18th-Century Art and Visual Culture, University of Washington)
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German Encounters with Modernism, 1840-1945
by Peter Paret (Princeton University, New Jersey)
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Image and Text in Graeco-Roman Antiquity
by Michael Squire
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The Language of Images in Roman Art
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The Florentine Academy and the Early Modern State
by Karen-edis Barzman (State University of New York, Binghamton)
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The Rhetoric of Power in the Bayeux Tapestry
by Suzanne Lewis (Stanford University, California)
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White Aborigines
by Ian McLean (University of Tasmania)
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Wyndham Lewis and the Art of Modern War
by David Peters Corbett (University of York)
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The Wild Bull and the Sacred Forest
by Peter Mark
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London, Modernism, and 1914
by Michael J. K. Walsh (Eastern Mediterranean University, Cyprus)
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