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History of Art / Design Styles
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The Nature of Revolution
by James A. Tyner
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Maria Spilsbury (1776-1820)
by Charlotte Yeldham
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Anarchism and the Advent of Paris Dada
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Michelangelo in Print
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Landscape, Art and Identity in 1950s Britain
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Nouveau Realisme, 1960s France, and the Neo-avant-garde
by Jill Carrick
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Scottish Art since 1960
by Craig Richardson
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The Screen in Surrealist Art and Thought
by Haim Finkelstein
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The British Consular Service in the Aegean and the Collection of Antiquities for the British Museum
by Lucia Patrizio Gunning
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Painting, Politics and the Struggle for the Ecole de Paris, 19441964
by Natalie Adamson
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Art, Sex and Eugenics
by Fae Brauer
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Aboriginal Art, Identity and Appropriation
by Elizabeth Burns Coleman
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Articulating British Classicism
by Barbara Arciszewska
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Conflicting Visions
by John Bonehill
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Shaky Ground
by Elizabeth Marlowe (Colgate University, USA)
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Indian Art
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Japan And Its Art
by Marcus B. Huish
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On the Study of Indian Art
by Pramod Chandra
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Max Beckmann's Triptychs
by Charles S Kessler
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Gutenberg to Plantin
by George Parker Winship
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Spanish Painting and the French Romantics
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Iwo Jima
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The abstract paintings of a complete and utter lunatic
by Bert Ernie
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A Gracious Enemy
by Michael G Kramer Omieaust
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The River of Light
by Mary Salter
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The Gate To Caesar
by William Collar
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Lines on the Landscape
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The Lock
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Beyond Spice
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American Injustice
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The Cambridge Companion to the Pre-Raphaelites
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The Death of the Baroque and the Rhetoric of Good Taste
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The Aesthetics of Emulation in the Visual Arts of Ancient Rome
by Ellen Perry (College of the Holy Cross, Massachusetts)
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Women and Visual Replication in Roman Imperial Art and Culture
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The Social History of Roman Art
by Peter Stewart (Courtauld Institute of Art, London)
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Papacy and Politics in Eighteenth-Century Rome
by Jeffrey Collins (Professor of 17th- and 18th-Century Art and Visual Culture, University of Washington)
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German Encounters with Modernism, 1840-1945
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Image and Text in Graeco-Roman Antiquity
by Michael Squire
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The Language of Images in Roman Art
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The Florentine Academy and the Early Modern State
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The Rhetoric of Power in the Bayeux Tapestry
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White Aborigines
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Wyndham Lewis and the Art of Modern War
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The Wild Bull and the Sacred Forest
by Peter Mark
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London, Modernism, and 1914
by Michael J. K. Walsh (Eastern Mediterranean University, Cyprus)
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Cultural Interplay in the Eighth Century
by Nancy Netzer
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Unleashed
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The Cosmic Script
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