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The Modernist Novel and the Decline of Empire
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White Women Writing White
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What Poets Used to Know
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Victorian Coral Islands of Empire, Mission, and the Boys Adventure Novel
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The Resurrection of Homer in Imperial Greek Epic
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The Cambridge Companion to Edith Wharton
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Vladimir Nabokov and the Art of Play
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British Orientalisms, 1759-1835
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Literature and Dance in Nineteenth-Century Britain
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The Masks of Keats
by Thomas McFarland (Murray Professor of English Literature Emeritus, Murray Professor of English Literature Emeritus, Princeton University)
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Women and Disability in Medieval Literature
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Researching Translation in the Age of Technology and Global Conflict
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Shakespeare for Freedom
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In the Flesh
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Sylvia Plath and the Theatre of Mourning
by Christina Britzolakis (Lecturer in English and Comparative Literature, Lecturer in English and Comparative Literature, University of Warwick)
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Bestsellers: Popular Fiction Since 1900
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Hawthorne and the Real
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The Roman Historians
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Masculinity, Gender and Identity in the English Renaissance Lyric
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Cesare Pavese's Long Journey
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Wisdom, Authority and Grammar in the Seventh Century
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Ibsen on Theatre
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The Lake Poets and Professional Identity
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Conrad Without Borders
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Reading the Bronte Body
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Literature and Architecture in Early Modern England
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Touching Beauty
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Literary Criticism: A Short History
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World Literature After Empire
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The Cambridge Companion to Crime Fiction
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An Arabic-English Lexicon (in Eight Volumes), Vol. VI
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Essays on Eddic Poetry
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Eastern Europeans in Contemporary Literature and Culture
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Milton and Gender
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Printers without Borders
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Bad Ol Boy
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Interpreting Goethe's Faust Today
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Musical Response in the Early Modern Playhouse, 1603-1625
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The Cambridge Companion to Hemingway
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Beckett and Phenomenology
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Modernism, Race and Manifestos
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Nothing is being suppressed
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The Cambridge Introduction to Chekhov
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Beckett, Lacan and the Mathematical Writing of the Real
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Catholicism, Controversy and the English Literary Imagination, 1558-1660
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Economic Women
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Modernism, Feminism, and Jewishness
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Conrad's Decentered Fiction
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