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The Divine Claudia
by Dan H Marek
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Pearl Jam and Philosophy
by Professor or Dr. Stefano Marino (Associate Professor of Aesthetics, University of Bologna, Italy)
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Messiaen in Context
by Robert Sholl (Royal Academy of Music and University of West London)
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Rap and Religion
by Ebony A. Utley
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Perspectives on the Grateful Dead
by Robert G. Weiner
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The Guitar in Georgian England
by Christopher Page
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Haydn and Mozart in the Long Nineteenth Century
by Simon P. Keefe (University of Sheffield)
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Bach and the Dance of God
by Wilfrid Mellers
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Kodaly Today
by Micheal Houlahan (Professor and Chair of Music, Professor and Chair of Music, Millersville University, Millersville, PA)
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Carlos Santana
by Norman Weinstein
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The Thematic Process in Music
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Piano Music for One Hand
by Theodore Edel
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The Courage of Composers and the Tyranny of Taste
by Balint Andras Varga
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Rethinking Mahler
by Jeremy Barham (Reader in Music, Reader in Music, University of Surrey)
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Harmonic Rhythm
by Joseph P. Swain (Associate Professor of Music, Associate Professor of Music, Colgate University)
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Right Place at the Write Time
by D Bergen White
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Elite Art Worlds
by Eduardo Herrera (Associate Professor of Musicology, Associate Professor of Musicology, Rutgers)
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Water Music
by Ian Bradley
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Chanson
by Olaf Salie
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Music in Ancient Israel
by Alfred Sendrey
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Oklahoma!
by Tim Carter
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Shostakovich's Preludes and Fugues
by Mark Mazullo
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Encyclopedia of Punk Music and Culture
by Brian Cogan
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Carmen and the Staging of Spain
by Michael Christoforidis (Lecturer in Music, Lecturer in Music, University of Melbourne)
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Mendelssohn and the Organ
by Wm. Little (Prof. Emeritus of German and Music, Prof. Emeritus of German and Music, University of Virginia)
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Yardbird Suite a Compendium of the
by Koch
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Music and Monumentality
by Alexander Rehding (Professor of Music Theory, Professor of Music Theory, Harvard University)
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Violin Fraud
by Brian W. Harvey (Professor of Law and Director of Legal Office, Professor of Law and Director of Legal Office, University of Birmingham)
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Lamestains
by Nicholas Attfield
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Historical Harpsichord Technique
by Yonit Lea Kosovske
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When Hip Hop Grew in Brooklyn
by Michael Bishop
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Yellow Lotus Flower
by Jen Myzel
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Cecile Chaminade
by Marcia J. Citron
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Mettle and Metal
by A Bukka Rennie
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Sacred Songs and Solos
by Ira David 1840-1908 Sankey
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The Great Transformation of Musical Taste
by William Weber (California State University, Long Beach)
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The Pleasures of Death
by Arthur Flannigan Saint-Aubin
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Song Maps
by Simon Hawkins
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Mahler's Seventh Symphony
by Anna Stoll Knecht (British Academy Postdoctoral Fellow, British Academy Postdoctoral Fellow, Oxford University)
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The Music of Joni Mitchell
by Lloyd Whitesell (Assistant Professor, Faculty of Music, Assistant Professor, Faculty of Music, McGill University)
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The String Quartets of Joseph Haydn
by Floyd Grave (, Music Department at Rutgers University)
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A Handbook of Diction for Singers
by David Adams (Professor of Voice and Head of the Performance Division, College-Conservatory of Music, Professor of Voice and Head of the Performance Division, College-Conservatory of Music, University of Cincinnati, Cincinnati, OH, United States)
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Music Production For Beginners 2020 Edition
by Tommy Swindali
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Wagner's Ring Cycle and the Greeks
by Daniel H. Foster (Duke University, North Carolina)
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Conductors on Record
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The Rise and Fall of EMI Records
by Brian Southall
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Jacques Offenbach and the Making of Modern Culture
by Laurence Senelick (Tufts University, Massachusetts)
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Musical Encounters at the 1889 Paris World's Fair
by Professor Annegret Fauser
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