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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
by David Beach (University of Toronto, Canada)
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Felix Mendelssohn Bartholdy
by John Michael Cooper
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Eco-Literate Music Pedagogy
by Daniel Shevock
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The Music Producers Survival Guide
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Masculinity in Opera
by Philip Purvis
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Migrating Music
by Jason Toynbee (Coventry University, UK)
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Movie Music, The Film Reader
by Kay Dickinson (Concordia University, Canada)
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The Operatic State
by Ruth Bereson
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Discographies
by Jeremy Gilbert
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Living Through Pop
by Andrew Blake
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Fighting Songs and Warring Words
by Brian Murdoch
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Haydn Studies
by Jens Peter Larsen
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Listen to the Music
by Roger Vaughan
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The Clash (16pt Large Print Edition)
by The Clash
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Focus: Gamelan Music of Indonesia
by Henry Spiller (University of California, Davis, USA)
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Popular Music Culture
by Roy Shuker (Victoria University of Wellington, New Zealand)
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The Mediations of Music
by Gianmario Borio
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Music by Subscription
by Simon D.I. Fleming
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Scholarly Research in Music
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Marketing Recorded Music
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The Music of Film
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Audience Experience and Contemporary Classical Music
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Music Theory in Late Medieval Avignon
by Karen M. Cook
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Artistic Dynamos: An Ethnography on Music in Central African Kingdoms
by Brian Schrag
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The Symphony in Australia, 1960-2020
by Rhoderick McNeill
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Sound Teaching
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Expanding Professionalism in Music and Higher Music Education
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Drum Sound and Drum Tuning
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Music in Conflict
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One-Track Mind
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Presence Through Sound
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Finding Your Career in the Modern Audio Industry
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Researching Secular Music and Dance in the Early United States
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Reimagining Sample-based Hip Hop
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Music Saved Them, They Say
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Music in Nineteenth-Century Britain
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Swedish Jazz in the United States
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Singing and Dictation for Today's Musician
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Beyonce and Beyond
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Popular Music and Parenting
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Social Partner Dance
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Musical Gentrification
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Performing Electronic Music Live
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Joaquin Rodrigo
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The Consolations of History: Themes of Progress and Potential in Richard Wagner's Gotterdammerung
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Performing Arts in Changing Societies
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Eastern European Music Industries and Policies after the Fall of Communism
by Patryk Galuszka (University of Lodz, Poland)
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Howard Hawks
by Gregory Camp (University of Auckland, New Zealand)
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