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Behind the Curtain
by Gregory D. Booth (Senior Lecturer, Ethnomusicology, Associate Dean (Research), Department of Anthropology and School of Music, Senior Lecturer, Ethnomusicology, Associate Dean (Research), Department of Anthropology and School of Music, University of Auckland)
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Nor-tec Rifa!
by Alejandro L. Madrid (Assistant Professor, Latin American and Latino Studies, Assistant Professor, Latin American and Latino Studies, University of Illinois at Chicago)
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Generalized Musical Intervals and Transformations
by David Lewin
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Beyond the Baton
by Diane Wittry (Music Director and Conductor, Music Director and Conductor, Allentown Symphony and the Norwalk Symphony)
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MENC Handbook of Musical Cognition and Development
by Richard Colwell (Professor Emeritus of Music Education, Professor Emeritus of Music Education, University of Illinois)
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Understanding French Verse
by David Hunter
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Playing across a Divide: Playing across a Divide
by Benjamin Brinner (Associate Professor of Ethnomusicology, Associate Professor of Ethnomusicology, UC Berkeley)
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The String Quartets of Joseph Haydn
by Floyd Grave (, Music Department at Rutgers University)
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The Reception of Bach's Organ Works from Mendelssohn to Brahms
by Russell Stinson (Professor and College Organist, Professor and College Organist, Lyon College)
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Taffanel: Genius of the Flute
by Edward Blakeman (Executive Producer, Executive Producer, BBC Radio 3)
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Empirical Musicology
by Eric Clarke (Professor of Music, Professor of Music, University of Sheffield)
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Bartok's Viola Concerto
by Donald Maurice (Associate Professor of Music, Associate Professor of Music, Wellington Conservatory, Massey University)
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Broadway Yearbook 2000-2001
by Steven Suskin
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Inventing the Business of Opera
by Jonathan Glixon
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The Critical Nexus
by Charles M. Atkinson (Professor of Music, Professor of Music, The Ohio State University)
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Exploring Twentieth Century Vocal Music
by Sharon Mabry (Professor of Music, Professor of Music, Austin Peay State University)
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Holy Brotherhood
by Barbara Rose Lange (Assistant Professor of Ethnomusicology, Moores School of Music, Assistant Professor of Ethnomusicology, Moores School of Music, University of Houston)
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Echoes of History
by Helen Rees (Assistant Professor of Ethnomusicology, Assistant Professor of Ethnomusicology, University of California, Los Angeles)
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Building Choral Excellence
by Steven M. Demorest (Associate Professor of Choral Music Education, Associate Professor of Choral Music Education, University of Washington School of Music)
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The Art of Performance
by Heinrich Schenker
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An Introduction to Bach Studies
by Daniel R. Melamed (Associate Professor of Music, Associate Professor of Music, Yale University)
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Analyzing Bach Cantatas
by Eric Chafe (Professor of Musicology, Professor of Musicology, Brandeis University)
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Unfoldings
by Carl Schachter (Distinguished University Professor Emeritus, Department of Music)
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Lady in the Dark
by Bruce D. Mcclung (Associate Professor of Music, Associate Professor of Music, University of Cincinnati)
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In the Houses of the Holy
by Susan Fast (Associate Professor, School of Art, Drama, and Music, Associate Professor, School of Art, Drama, and Music, McMaster University)
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Getting Started in Ballet
by Anna Paskevska (Chair of the Dance Department, Chair of the Dance Department, Chicago Academy for the Arts)
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Inside Bluebeard's Castle
by Carl S. Leafstedt (Assistant Professor of Music History, Assistant Professor of Music History, Trinity University)
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Musical Symbolism in the Operas of Debussy and Bartok
by Elliot Antokoletz
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Rocking the Classics
by Edward Macan (Assistant Professor of Music, Assistant Professor of Music, College of the Redwoods, California)
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Alec Wilder in Spite of Himself
by Desmond Stone
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The Triumph of Vulgarity
by Robert Pattison (Associate Professor of English, Associate Professor of English, Long Island University)
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Angels we have heard on high
by Benjamin Harlan
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Some Other Note
by Ross W. Duffin (Fynette H. Kulas Professor of Music, Fynette H. Kulas Professor of Music, Case Western Reserve University)
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Time in the Blues
by Julia Simon (Professor of French, Professor of French, University of California, Davis)
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The Oxford Handbook of Popular Music in the Nordic Countries
by Fabian Holt (Associate Professor, Associate Professor, Roskilde University)
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A Sociable Moment
by Colleen Reardon (Claire Trevor School of the Arts, University of California, Irvine)
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What Will I Be
by Philip M. Gentry (Assistant Professor of Musicology, Assistant Professor of Musicology, University of Delaware)
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The Oxford Handbook of Music Making and Leisure
by Roger Mantie (Assistant Professor of Music Education, Assistant Professor of Music Education, Arizona State University)
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Analytical Essays on Music by Women Composers: Concert Music from 1960-2000
by Laurel Parsons
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The Oxford Handbook of Algorithmic Music
by Roger T. Dean (Professor of Sonic Communication, Professor of Sonic Communication, University of Western Sydney)
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Tears into Wine
by Eric Chafe (Victor and Gwendolyn Beinfield Professor of Music, Victor and Gwendolyn Beinfield Professor of Music, Brandeis University, Newtonville, MA)
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Entertaining Lisbon
by Joao Silva (INET-MD, Universidate Nova de Lisboa)
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Representing Russia's Orient
by Adalyat Issiyeva (Lecturer, Lecturer, Schulich School of Music, McGill University)
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L'Art de Toucher Le Clavecin (Ed.1716)
by Francois Couperin
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02279 - Elementary Studies for the Trumpet
by Herbert L Clarke
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Technical Studies for the Cornet
by Herbert L Clarke
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Orchestral Excerpts Volume 1 Cello edited by Leonard Rose and Nathan Stutch
by Nathan Stutch
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Double Stop Musings for Cello, Book Two
by Cassia Harvey
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