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The 'I' of the Camera
by William Rothman (University of Miami)
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The Culture and Philosophy of Ridley Scott
by Adam Barkman
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The Secrets of Tenet: Inside Christopher Nolan's Quantum Cold War
by James Mottram
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Terrence Malick
by Dr Robert Sinnerbrink
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Indigenous Cultural Translation
by Darryl Sterk
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Hong Kong Cinema and Sinophone Transnationalisms
by See Kam Tan
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Theatres on Film
by Russell Jackson
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Pop Music in British Cinema: A Chronicle
by Kevin Donnelly
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Vampires in the New World
by Louis H. Palmer III
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The Cinema of the Precariat
by Thomas Zaniello (Northern Kentucky University, USA)
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Globalized Queerness
by Helton Levy (London Metropolitan University, UK)
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Hong Kong Cinema Since 1997
by V. Lee
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At Home in the Whedonverse
by Juliette C. Kitchens
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Deleuze and Film
by Dr Teresa Rizzo
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Death in Classical Hollywood Cinema
by B. Hagin
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Tarantino
by Tom Shone
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Selected Takes
by Vincent LoBrutto
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The Money Behind the Screen
by James Chapman
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Icons of Talk
by Donna L. Halper
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Cinemaphile - The Complete Writings 2013
by David M Keyes
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Cinema and the Urban Poor in South India
by Sara Dickey (Bowdoin College, Maine)
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Danger Uxb
by Scott V Palmer
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John Guillermin
by Mary Guillermin
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Your Breath In Art
by Beatrice Manley
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Stanley Kubrick's A Clockwork Orange
by Stuart Y. McDougal (Macalester College, Minnesota)
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Watership Down
by Dr Catherine Lester (University of Birmingham, UK)
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Documenting Racism
by J. Emmett Winn
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Transforming Faces for the Screen
by Karen Randell
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A Philosophy of Cinematic Art
by Berys Gaut (University of St Andrews, Scotland)
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Fascism in Italian Cinema since 1945
by G. Lichtner
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Hollywood's Detectives
by F. Mason
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Deleuze and the Schizoanalysis of Cinema
by Ian Buchanan (University of Wollongong, Australia)
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Masculinity in British Cinema, 1990-2010
by Sarah Godfrey
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German National Cinema
by Sabine Hake (University of Texas at Austin, USA)
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Kubrick
by Robert P. Kolker
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Hairspray
by Dana Heller (Old Dominion University, USA)
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Asian Cinema and the Use of Space
by Lilian Chee
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Psychoanalyzing Cinema
by j. jagodzinski
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The Orientation of Future Cinema
by Dr. Bruce Isaacs
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Animation
by Thomas W. Hoffer
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Mel Brooks in the Cultural Industries
by Alex Symons
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Cinematic Modernism
by Susan McCabe (University of Southern California)
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Hollywood and the Great Depression
by Iwan Morgan
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Filming the Line of Control
by Meenakshi Bharat
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Terrence Malick
by Thomas Deane Tucker
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Shakespeare Films in the Making
by Russell Jackson (University of Birmingham)
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AM Stereo and the FCC
by Mark Jerome Braun
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Creating Preschool Television
by J. Steemers
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