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Shakespeare in the Theatre: Sir William Davenant and the Duke's Company
by Amanda Eubanks Winkler (Syracuse University, USA)
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Women, Theatre and Performance
by Maggie B. Gale
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The Abbey Theatre, 1899-1999
by Robert Welch (Professor of English and Director of the Centre for Irish Literature and Bibliography, Professor of English and Director of the Centre for Irish Literature and Bibliography, University of Ulster at Coleraine)
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African American Performance and Theater History
by Harry J. Elam, Jr. (Professor, Director of Committee on Black Performing Arts, Professor, Director of Committee on Black Performing Arts, Stanford University)
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Acting: Make It Your Business
by Paul Russell
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Relax, We're All Just Making This Stuff Up!
by Amy Lisewksi
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Directions for Directing
by Avra Sidiropoulou
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Theatre, Youth, and Culture
by Manon van de Water
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The Theatre of Death - The Uncanny in Mimesis
by Mischa Twitchin
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British Theatre Since the War
by Dominic Shellard
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Comic Angels and Other Approaches to Greek Drama through Vase-Paintings
by Oliver Taplin (Fellow and Tutor in Greek and Latin Language and Literature, Fellow and Tutor in Greek and Latin Language and Literature, Magdalen College, Oxford)
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Directing for the Stage
by Richard Williams
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Archaeologies of Presence
by Gabriella Giannachi
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Robert Lepage's Scenographic Dramaturgy
by Melissa Poll
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Immersive Embodiment
by Liam Jarvis
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Dramaturgy and Architecture
by Cathy Turner
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Performing Left Populism
by Dr Goran Petrovic Lotina (University of Warwick, UK)
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Street Scenes
by S. Aronson-Lehavi
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Michael Chekhov and Sanford Meisner
by Anjalee Deshpande Hutchinson
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Masculinities and Manhood in Contemporary Irish Drama
by Cormac O'Brien
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Witness Onstage
by Molly Flynn
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Dusky Maidens
by Jo A. Tanner
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Cabaret
by William Grange (University of Nebraska, USA)
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Performing Human Rights
by Anika Marschall
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Oliver Smith
by Thomas Mikotowicz
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Theatre Workshop
by Robert Leach
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The Gestures of Participatory Art
by Sruti Bala
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Theatre Blogging
by Megan Vaughan (Live Art Development Agency, UK)
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Theatre and Entertainment
by Jim Davis
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Alice on Stage
by Charles Lovett
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Women and Victorian Theatre
by Kerry Powell (Miami University)
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The Regal Theater and Black Culture
by C. Semmes
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Stage Management
by Lawrence Stern
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The Rise of Performance Studies
by J. Harding
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Obituaries in the Performing Arts, 2019
by Harris M. Lentz III
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The Polish Theatre of the Holocaust
by Grzegorz Niziolek (Jagiellonian University, Poland)
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Staging the Personal
by Clark Baim
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Theatre's Heterotopias
by J. Tompkins
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Mae West
by Carol M. Ward
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Success in the Arts
by A Michael Shumate
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The Musical Theatre Composer as Dramatist
by Rebecca Applin Warner
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The Cultural Politics of One-to-One Performance
by Rachel Zerihan
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Modern Theatre in Russia
by Dr Stefan Aquilina (University of Malta, Malta)
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Performance Phenomenology
by Stuart Grant
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The Cambridge Companion to International Theatre Festivals
by Ric Knowles (University of Guelph, Ontario)
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The Great European Stage Directors Volume 7
by Felicia Hardison Londre (University of Missouri-Kansas City, USA)
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Censorship of the American Theatre in the Twentieth Century
by John H. Houchin (Boston College, Massachusetts)
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Staging Ancient Greek Plays
by Michael Ewans (University of Newcastle, Australia)
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