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Affects in 21st-Century British Theatre
by Mireia Aragay
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Politics of the Oberammergau Passion Play
by Jan Mohr
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Arthur Miller Plays 3
by Arthur Miller
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The Piscatorbuhne Century
by ew Lichtenberg
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What is a Playhouse?
by Callan Davies
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Theatre and Internationalization
by Ulrike Garde
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The Routledge Companion to Michael Chekhov
by Marie Christine Autant Mathieu
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Staging France between the World Wars
by Susan McCready
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American Theatre Companies, 1931-1986
by Weldon B. Durham
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Radical Street Performance
by Jan Cohen-Cruz (Syracuse University, USA)
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Directory of Historic American Theatres
by Carlton Ward
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O'Neill: Long Day's Journey into Night
by Brenda Murphy (University of Connecticut)
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London in Early Modern English Drama
by D. Grantley
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The Death of the Actor
by Martin Buzacott
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Church and Stage in Victorian England
by Richard Foulkes (University of Leicester)
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Acoustic Interculturalism
by Marcus Cheng Chye Tan
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George Frederick Cooke
by Don B. Wilmeth
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From a Member of the Audience
by Wayne L Gregory
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The Independent Monologue in Latin American Theater
by Duane Rhoades
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City/Stage/Globe
by D.J. Hopkins (San Diego State University)
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The Adelphi Players
by Cecil Davies
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Shakespeare and Modern Theatre
by Michael Bristol
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Dissidence and Literature Under Nero
by Vasily Rudich (Yale University, USA)
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Crossroads: Performance Studies and Irish Culture
by Sara Brady
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American Theatre Companies, 1749-1887
by Weldon B. Durham
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The Performance Arts in Africa
by Frances Harding
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The Radical in Performance
by Baz Kershaw
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Performance and the Contemporary City
by Nicolas Whybrow
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In Rehearsal
by Gary Sloan
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Whitman's Ecstatic Union
by Michael Sowder
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The Wilted Pomegranate
by Yon Ethraim Fearshaker
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Grotowski, Women, and Contemporary Performance
by Virginie Magnat
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Theatre for Change
by Robert Landy
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Flash and Crash Days
by David George
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Russians in Britain
by Jonathan Pitches (University of Leeds, UK)
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The Pursuit of Acting
by Starra H. Andrews
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Performance, Identity, and the Neo-Political Subject
by Fintan Walsh
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Theatre and Empowerment
by Richard Boon (University of Leeds)
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Powerfully Fragile
by Briohne Joy Sykes
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On the Uses of the Fantastic in Modern Theatre
by I. Eynat-Confino
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Katharine Cornell
by Lucille M. Pederson
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Stanislavsky: A Life in Letters
by Laurence Senelick (Tufts University, USA)
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Theatre and Event
by A. Kear
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Adapting Graham Greene
by Richard J. Hand
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Players, Playwrights, Playhouses
by Michael Cordner
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Stage Rights!
by Naomi Paxton
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Greek Theatre Practice
by J. M. Walton
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An Analytical Philosophy of Religion
by Willem Frederik Zuurdeeg
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