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Learning Through Theatre
by Anthony Jackson
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True Acting Tips
by Larry Silverberg
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The Elements of Theatrical Expression
by Brian Kulick
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Theatre of the Oppressed
by Augusto Boal
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Special Effects Make-up
by Janus Vinther
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Sounding Bodies
by Ann Cahill
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So You Want To Be An Actor
by Timothy West
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Reframing Screen Performance
by Cynthia L. Baron
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A Beautiful Pageant
by David Krasner (Yale University)
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Complete Films of Cary Grant
by Donald Deschner
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Speech and Drama
by Rudolf Steiner
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Loitering with Intent
by Peter O'Toole
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Avant Garde Theatre
by Christopher Innes
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Play Directing
by Francis Hodge
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Theatre
by Professor David Mamet
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The Classical Monologue
by Michael Earley
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The Routledge Companion to Jacques Lecoq
by Mark Evans
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Directors/Directing
by Maria Shevtsova (Goldsmiths, University of London)
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Theatre and Performance Design
by Jane Collins
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Summer Stock!
by Monaco Marti Lo
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Site-Specific Performance
by Mike Pearson
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Stage Design and Properties
by Michael Holt
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The Compass
by Professor of Government Janet Coleman (London School of Economics and Political Science)
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Performance, Medicine and the Human
by Dr Alex Mermikides (King's College London, UK)
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Performing in Contemporary Musicals
by David Sisco
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Women as Hamlet
by Tony Howard (University of Warwick)
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Pronouncing Shakespeare
by David Crystal (University of Wales, Bangor)
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Cultural History of Theatre, A
by Jack Watson
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Rock in the Musical Theatre
by Joseph Church (Instructor in Music Composition, Instructor in Music Composition, New York University)
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London Theatre Walks
by Jim DeYoung
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The Paper Canoe
by Eugenio Barba
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Conquering the Film and Television Audition
by Kevin Scott Allen
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Self-Management for Actors, 3rd Ed.
by First Last
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The Drama Handbook
by John Lennard (University of Notre Dame)
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Theatre and Protest
by Lara Shalson (King's College London, London, UK)
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Illegitimate Theatre in London, 1770-1840
by Jane Moody (University of York)
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Great Directors at Work
by David Richard Jones
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Hamlet's Dresser
by Smith
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Understanding Movies
by Louis Giannetti
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Stage Blood
by Michael Blakemore
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Contemporary Duologues: One Man & One Woman
by Trilby James
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Theatre and Prison
by Caoimhe McAvinchey
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Performance Studies
by Bryan Reynolds
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August Wilson's Fences
by Ladrica Menson-Furr
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You Can Bank On Your Voice
by Rodney Saulsberry
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Actor's Choice: Monologues for Women
by Erin Detrick
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Half
by Simon Annand
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How to Rehearse When There Is No Rehearsal
by Alice Spivak
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