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The Art of Rehearsal
by Barbara Simonsen (Artistic Director, Seachange Lab, Denmark)
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by Clare Rose
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The Routledge Reader in Gender and Performance
by Lizbeth Goodman (University College Dublin, IRE)
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Theatre and Entertainment
by Jim Davis
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An Actor's Alphabet
by Julie Hesmondhalgh
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The Intercultural Performance Reader
by Patrice Pavis
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Developing and Maintaining a Design-Tech Portfolio
by Rafael Jaen (Assistant Professor at UMASS Boston. Web site www.rafaeljaen.biz.)
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A Good Night Out
by John McGrath
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To Act Is to Do
by Richard Alan Nichols
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Theatre's Strangest Acts
by Sheridan Morley
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Performance Analysis
by Colin Counsell
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Kitchen Sink Realisms
by Dorothy Chansky
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The Secrets of Screen Acting
by Patrick Tucker
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Keaton
by Tom Dardis
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Tragic Muse
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Only One Stooge
by Chad Westbrook
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Loitering with Intent: The Apprentice
by Peter O'Toole
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Great Britons of Stage and Screen
by Barbara Roisman Cooper
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The Actor Speaks
by Janet Sonenberg
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Stanislavsky Secret
by Irina Levin
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The Outstanding Actor
by Ken Rea (Guildhall School of Music and Drama, UK)
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The Golden Age of Indianapolis Theaters
by Howard Caldwell
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Actors Talk About Shakespeare
by Mary Z. Maher
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Acting: The Basics
by Bella Merlin (Exeter University, UK)
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The Stars Who Created Kabuki
by Laurence Kominz
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Improvisation in Drama, Theatre and Performance
by Anthony Frost (School of English and American Studies, Norwich)
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Best Stage Scenes of 2000
by Jocelyn Beard
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Great Shakespeare Actors
by Stanley Wells (Honorary President, Honorary President, The Shakespeare Birthplace Trust)
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A Passion for Acting
by Alan Miller
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Acting in Real Time
by Paul Binnerts
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Secret Dreams
by Alan Strachan
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Theatrical Scene Painting
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Liberation of the Actor
by Peter Bridgmont
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Twentieth-Century Irish Drama
by Christopher Murray
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Producing Your Own Showcase
by Paul Harris
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Dame Edna Everage and the Rise of Western Civilisation
by John Lahr
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The Model as Performance
by Thea Brejzek (University of Technology, Sydney, Australia)
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Great Producers
by Iris Dorbian
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Abbey Theatre: Ireland's National The
by Christoph Fitz-Simon
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Dumbocracy in America
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Avant-Garde Performance And The Limits Of Criticism
by Mike Sell
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Beckett: Waiting for Godot
by David Bradby (Royal Holloway, University of London)
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David Mamet's Oleanna
by David Sauer
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Modern Hamlets and Their Soliloquies
by Mary Z. Maher
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Basics - A Beginner's Guide to Stage Sound
by Peter Coleman
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Classical Monologues for Women
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Theatreland
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Stars on Stage
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