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The Ages of Gielgud
by Ronald Harwood
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Repeal of the Blues
by Alan Pomerance
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Royal Court: International
by E. Aston
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What Is Theatre?
by Professor Eric Bentley
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John Gielgud's Notes from the Gods
by Sir John Gielgud
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The Actor Speaks
by Joan Jeffri
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The Theater of Experiment
by Al Coppola (Assistant Professor of English, Assistant Professor of English, John Jay College of Criminal Justice at the City University of New York)
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A Cultural History of Comedy in the Age of Empire
by Matthew Kaiser (University of California, Merced, USA)
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The Art of the Dramatist
by J. B. Priestley
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Theatrical Directors
by John W. Frick
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Audition Speeches for Women
by Jean Marlow
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The Aesthetic Exception
by Tony Fisher
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Interpersonal Communication
by Shelley D Lane
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George Burns and Gracie Allen
by Cynthia Clements
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Theatre Matters
by Richard Boon (University of Leeds)
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(Syn)aesthetics
by J. Machon
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The Swastika and the Stage
by Gerwin Strobl (Cardiff University)
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Staging and Performing Translation
by R. Baines
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The Culture of Playgoing in Shakespeare's England
by Anthony B. Dawson (University of British Columbia, Vancouver)
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Tomorrow at Noon
by Jenny Ayres
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Simon Called Peter
by Robert Keable
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Theatre, War, and Propaganda
by M. Scott Phillips
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Hamlet in Pieces
by Andy Lavender (Central School of Drama, London)
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House of Games
by Chris Johnston
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Gotta Dance!
by Jim Schmitt
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Comic Acting and Portraiture in Late-Georgian and Regency England
by Jim Davis (University of Warwick)
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Critical Companion to Native American and First Nations Theatre and Performance
by Jaye T. Darby (University of California, Los Angeles, USA)
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Theory/Theatre: An Introduction
by Mark Fortier
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Ingomar, the Barbarian
by Maria Lovell
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Handbook of Scenery, Properties, and Lighting
by Harvey Sweet
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On Acting
by Laurence Olivier
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On Playing Shakespeare
by Leigh A. Woods
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Scapegoat Carnivale's Tragic Trilogy
by Lynn Kozak
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Performing Mountains
by Jonathan Pitches
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Broadway Talks
by Arvid Sponberg
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The Emperor's New Clothes
by Matt Bean
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A Chronicle of Small Beer
by Winifred Dolan
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Comedy in the Weimar Republic
by William Grange
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Grief and English Renaissance Elegy
by G. W. Pigman, III
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Stephen Joseph: Theatre Pioneer and Provocateur
by Paul Elsam
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Complicite, Theatre and Aesthetics
by Tomasz Wisniewski
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The Actor and the Target
by Declan Donnellan
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The Complete Stage Planning Kit
by Gill Davies
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Slapstick and Comic Performance
by L. Peacock
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Theatrical Designers
by Thomas Mikotowicz
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Noel Coward
by Clive Fisher
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Performing Arousal
by Professor Julia Listengarten (USA)
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The Cambridge History of British Theatre
by Jane Milling (University of Exeter)
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