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I Come From
by Derek R Trumbo, Sr
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Applied Theatre: Development
by Tim Prentki (University of Winchester, UK)
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The Routledge Companion to Michael Chekhov
by Marie Christine Autant Mathieu
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Two-Minute Monologs
by Glenn Alterman
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The Living Art of Greek Tragedy
by Marianne McDonald
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Three Tragic Actresses
by Michael Booth (University of Victoria, British Columbia)
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And The Rest Of Me Floats
by Outbox Theatre
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#grateful
by Annoying Actor Friend Actor_friend
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American Theatre Ensembles Volume 2
by Mike Vanden Heuvel (University of Wisconsin-Madison, USA)
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Stages of Terror
by Anthony Kubiak
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Doing the Time Warp
by Sarah Taylor Ellis
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Theatre
by Ronald J. Wainscott
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Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940
by Ruud van den Beuken
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Theatrical Anecdotes
by Peter Hay
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Virtuoso
by Professor Murray Pomerance (Independent scholar, Canada)
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A Strange Proximity
by Jon Foley Sherman (Franklin & Marshall College, USA)
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Strange Feats and Clever Turns
by Charlie Holland
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Applied Theatre: Understanding Change
by Kelly Freebody
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The Cambridge Companion to British Theatre, 1730-1830
by Jane Moody (University of York)
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Acting as a Business, Third Edition
by Brian O'Neil
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Directing for the Stage
by Richard Williams
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Languages of the Stage
by Patrice Pavis
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History of Theater in Iran
by Dr Willem Floor
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Authenticity in Contemporary Theatre and Performance
by Daniel Schulze (Theater Konstanz, Germany)
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How to Get Arrested
by First Last
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Unruly Audiences and the Theater of Control in Early Modern London
by Eric Dunnum
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Early Responses to Renaissance Drama
by Charles Whitney (University of Nevada, Las Vegas)
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Blindsided
by Simon Stephens
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Theatre, Performance and Technology
by Christopher Baugh
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Exploring Shakespeare
by Bill Alexander
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Elizabeth Robins
by Angela V John
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The Provocation of the Senses in Contemporary Theatre
by Stephen Di Benedetto
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The Russian Theatre after Stalin
by Anatoly Smeliansky
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Chinese Shadow Theatre
by Fan Pen Li Chen
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150 Acting Scenes
by Vin Morreale
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Effects for the Theatre
by Graham Walne (Freelance Lighting and Theatre Design Consultant)
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Theatre in Britain
by Sir Harold Hobson
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Kattaikkuttu
by Hanne M. de Bruin (Independent theatre artist, India)
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The Life of Noel Coward
by Cole Lesley
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Discovering Stage Lighting
by Francis Reid
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Murder at the Adelphi
by Peter Gale
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Theatrical Scene Painting
by William H Pinnell
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The Articulate Body
by Anne Dennis
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Grassroots Theater
by Robert Edward Gard
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Irish on the Move
by Michelle Granshaw
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Dramatic Apparitions and Theatrical Ghosts
by Ann C. Hall (University of Louisville, USA)
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Theatre at the Crossroads of Culture
by Patrice Pavis
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An Actor Prepares
by Constantin Stanislavski
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