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In the Wake of Medea
by Juliette Cherbuliez
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Saeed
by Saeed Jaffrey
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Digital Scenography
by Neill O'Dwyer (Trinity College Dublin, Ireland)
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by Joshua Nelson
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Robert Wilson
by Maria Shevtsova
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My Character Wouldn't Do That
by Donna Soto-Morettini (Edinburgh Napier University, UK)
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The Path Of The Actor
by Michael Chekhov
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Theatricality
by Tracy C. Davis (Northwestern University, Illinois)
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Roy Hart
by Kevin Crawford
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Playing God
by Henry Bial
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Teaching Voice: Workshops for Young Performers
by Max Hafler
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Theatre and Cognitive Neuroscience
by Clelia Falletti (Sapienza University of Rome, Italy)
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Shakespeare's Advice to the Players
by Sir Peter Hall (Celebrity)
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Toward Center
by James Jordan
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Mastering an American Accent: The Compact Guide
by Rebecca Gausnell
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Frantic Assembly
by Mark Evans
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Albee: Who's Afraid of Virginia Woolf?
by Stephen J. Bottoms (University of Glasgow)
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Weyward Macbeth
by S. Newstok
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John Barrymore, Shakespearean Actor
by Michael A. Morrison
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Performing Endurance
by Lara Shalson (King's College London)
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The Schaubuhne Berlin under Thomas Ostermeier
by Professor Peter M. Boenisch (Aarhus University, Denmark)
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Movement Direction
by Kate Flatt
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The Time Traveller's Guide to British Theatre
by Aleks Sierz
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The Politics of American Actor Training
by Ellen Margolis (Pacific University)
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Playing the Audience
by James B. Nicola
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Theatre Games
by Clive Barker
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Sound Design in the Theatre
by John L. Bracewell
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Piddington's Secrets
by Martin T Hart
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Great Monologues
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Acting Lessons for Living
by Ruthie Landis
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Under the Greenwood Tree
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Theatre in Revolution
by Nancy Van Norman Baer
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Affective Performance and Cognitive Science
by Prof Nicola Shaughnessy (University of Kent, UK)
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The Handbook of Techniques for Theatre Designers
by Colin Winslow
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New Monologues for Women
by Geoffrey Colman (Central School of Speech and Drama, UK)
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The Pulitzer Prize Plays
by Paul A. Firestone
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How to Run a Theater
by Jim Volz
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Embodied Economies
by Israel Reyes
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The World of Ruth Draper
by Dorothy Warren
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Acting:In Person and In Style
by Jerry L. Crawford
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What is Dramaturgy?
by Bert Cardullo
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Looking at Shakespeare
by Dennis Kennedy (Professor Emeritus of Drama, Trinity College, Dublin)
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Early Modern Liveness
by Danielle Rosvally
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Anxious Masculinity in the Drama of Arthur Miller and Beyond
by Claire Gleitman
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Of All the Nerve
by Lynda Hart
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Rhythm in Acting and Performance
by Eilon Morris (University of Huddersfield, UK)
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The Actors Workbook
by Alex Clifton (RADA, UK)
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Only One Stooge
by Chad Westbrook
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