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The Cambridge Companion to Theatre History
by David Wiles (Royal Holloway, University of London)
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Bakst
by Elisabeth Ingles
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Stage Fright
by Stephen Aaron
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Clown Skits for Everyone
by Happy Jack Fedar
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The Cambridge Companion to Victorian and Edwardian Theatre
by Kerry Powell (Miami University)
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The Accidental Producer
by Tim Johanson
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Gender in Performance
by Laurence Senelick
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Staging Ancient Greek Plays
by Michael Ewans (University of Newcastle, Australia)
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Improvising Shakespeare: Reading for The Stage
by Thomas Turgeon
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2015 Songwriter's Market
by James Duncan
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Avant-Garde Performance And The Limits Of Criticism
by Mike Sell
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Revel for DK Guide to Public Speaking -- Combo Access Card
by Lisa Ford-Brown
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Cinderella and the Quest for the Crystal Pump
by L Henry Dowell
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Monologues from the Edge
by Steve Marsh
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Colors of Enchantment
by Sherifa Zuhur
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The Royal Court Theatre Inside Out
by Ruth Little
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Lighting and the Design Idea
by Linda Essig
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It's All Allowed
by Deirdre Heddon (University of Glasgow, UK)
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The Roman Theatre & Its Audience (Cobee)
by RC Beacham
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The Actor's Survival Handbook
by Patrick Tucker
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Bible as Theatre
by Shimon Levy
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A Beautiful Pageant
by David Krasner (Yale University)
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Theatre Rediscovery Style
by Michel Saint-Denis
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Youth and Theatre of the Oppressed
by P. Duffy
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Act Like It's Your Business
by Jonathan Flom
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Stanislavski in Rehearsal
by Vasily Osipovich Toporkov
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Re-Dressing the Canon
by Alisa Solomon
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Making Plays
by Richard Nelson
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Dumbocracy in America
by Robert Brustein
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Augusto Boal
by Frances Babbage
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Storytelling Professionally
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Billie Whitelaw...Who He?
by Billie Whitelaw
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Stage Management
by Daniel Bond
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The Process of Play Directing
by Bob May
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Theater Careers
by Tim Donohue
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Masterclass: the Actor's Audition Manual for Women
by Dean Carey
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New School Acting
by Jeremy Whelan
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Acting That Matters
by Barry Pineo
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Performing Blackness on English Stages, 1500-1800
by Virginia Mason Vaughan (Clark University, Massachusetts)
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Comedy and Tragedy on the Mountain
by Jacqueline T Lynch
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Theatre Arts: The Dynamics of Acting, Student Edition
by Mcgraw-Hill
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Owning Performance | Performing Ownership
by Jane Wessel
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Electra and the Empty Urn
by Mark Ringer
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Acting
by John Middleton
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Interpersonal Communication Book, the -- Books a la Carte
by Joseph A DeVito (Hunter College of the City University of New York)
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Stanislavsky Directs
by Nikolai Gorchakov
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Arguments for a Theatre
by Howard Barker
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The A to Z of African American Theater
by Anthony D. Hill
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