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George Clooney: Anatomy of an Actor
by Jeremy Smith
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A Jacobean Company and its Playhouse
by Eva Griffith
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Theatre and Medicine
by Stanton B. Garner, Jr. (University of Tennessee, USA)
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The Actor Speaks
by Patsy Rodenburg (Guildhall School of Music and Drama, UK)
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You Can Work on Camera
by John Leslie Wolfe
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Dramatic Imagination
by Jones
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The Group Theatre
by H. Chinoy
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Letters to a Young Actor
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Exposed by the Mask
by Peter Hall
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True Acting Tips
by Larry Silverberg
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Deep are the Roots
by Gordon Heath
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Ingenue in White
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Loitering with Intent
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Like Clouds or Mists
by Elizabeth A. Oyler
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Theatre and Feeling
by Anne Bogart
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The Director's Companion
by Mel Shapiro (University of California, Los Angeles)
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The Cambridge Illustrated History of British Theatre
by Simon Trussler
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Stanislavski in Rehearsal
by Vasily Osipovich Toporkov
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Acting Power
by Robert Cohen
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by Richard Huggett
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The Essen Theatre W/Info 8e
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Directors in Rehearsal
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What is Scenography?
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My Character Wouldn't Do That
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Theatre and Audience
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Stanislavski's Legacy
by Constantin Stanislavski
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Mastering Monologues and Acting Sides
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The Actor's Landscape
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Introduction to Theater
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Hands with a Heart
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Black Comedy: 9 Plays
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Cold Reading
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Unarmed Stage Combat
by Philip d'Orleans
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Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women
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The Paper Canoe
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Inclusive Character Analysis
by Jennifer Thomas
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The Commedia dell'Arte
by Professor Domenico Pietropaolo (University of Toronto, Canada)
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Essential Acting
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