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The Seagull
by Anatoly Efros
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Incapacity and Theatricality
by Tony McCaffrey
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Staging Creolization
by Emily Sahakian
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Theatre: Through the Stage Door
by David Balthrop
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A Kabuki Reader
by Samuel L. Leiter
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Locating the Queen's Men, 15831603
by Holger Schott Syme
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Transnational Exchange in Early Modern Theater
by Eric Nicholson
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Women's Romantic Theatre and Drama
by Keir Elam
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Private Theatricals
by Nina Auerbach
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Directors/Directing
by Maria Shevtsova (Goldsmiths, University of London)
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Neil LaBute
by Christopher Bigsby (University of East Anglia)
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The Cambridge Companion to Performance Studies
by Tracy C. Davis (Northwestern University, Illinois)
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Modernism, Drama, and the Audience for Irish Spectacle
by Paige Reynolds (College of the Holy Cross, Massachusetts)
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Slavery and Sentiment on the American Stage, 17871861
by Heather S. Nathans (University of Maryland, College Park)
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The Cambridge Introduction to Modern British Theatre
by Simon Shepherd
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Shakespeare and the American Popular Stage
by Frances Teague (University of Georgia)
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Found in Translation
by J. Michael Walton (University of Hull)
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Drama and Religion in English Provincial Society, 1485-1660
by Paul Whitfield White (Purdue University, Indiana)
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The Cambridge Introduction to Theatre Studies
by Christopher B. Balme
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Sisters in Sin
by Katie N. Johnson (Miami University)
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Performance and Identity in the Classical World
by Anne Duncan (Arizona State University)
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Performing Blackness on English Stages, 1500-1800
by Virginia Mason Vaughan (Clark University, Massachusetts)
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The Cambridge Introduction to Theatre Directing
by Christopher Innes (York University, Toronto)
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Children of the Queen's Revels
by Lucy Munro (Lecturer in Shakespeare and Early Modern Drama Studies, Keele University)
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The Cambridge Introduction to English Theatre, 1660-1900
by Peter Thomson (University of Exeter)
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Theatrical Convention and Audience Response in Early Modern Drama
by Jeremy Lopez (College of William and Mary, Virginia)
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Players of Shakespeare 5
by Robert Smallwood
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Theatre, Society and the Nation
by S. E. Wilmer (Trinity College, Dublin)
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Not Shakespeare
by Richard W. Schoch (Queen Mary University of London)
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Modern American Drama, 19452000
by C. W. E. Bigsby (University of East Anglia)
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Playing Companies and Commerce in Shakespeare's Time
by Roslyn Lander Knutson (University of Arkansas)
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Chicano Drama
by Jorge Huerta (University of California, San Diego)
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Professing Performance
by Shannon Jackson (University of California, Berkeley)
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The Cambridge History of British Theatre
by Joseph Donohue (University of Massachusetts, Amherst)
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Reading the Material Theatre
by Ric Knowles (University of Guelph, Ontario)
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Pirandello:Six Characters in Search of an Author
by Jennifer Lorch (University of Warwick)
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Greek Theatre Performance
by David Wiles (Royal Holloway, University of London)
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Williams: A Streetcar Named Desire
by Philip C. Kolin (University of Southern Mississippi)
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Popular Culture and Performance in the Victorian City
by Peter Bailey (University of Manitoba, Canada)
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Chinese Theatre and the Actor in Performance
by Jo Riley
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Theatre Culture in America, 1825-1860
by Rosemarie K. Bank (Kent State University, Ohio)
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August Strindberg: Selected Essays
by August Strindberg
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Acts of Activism
by D. Soyini Madison (Northwestern University, Illinois)
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The Making of the West End Stage
by Jacky Bratton (Royal Holloway, University of London)
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Women and Victorian Theatre
by Kerry Powell (Miami University)
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Twentieth-Century British Theatre
by Claire Cochrane (University of Worcester)
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Wilde: Salome
by William Tydeman (University of Wales, Bangor)
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Early Cambridge Theatres
by Alan H. Nelson
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