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Theatre Culture in America, 1825-1860
by Rosemarie K. Bank (Kent State University, Ohio)
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August Strindberg: Selected Essays
by August Strindberg
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Acts of Activism
by D. Soyini Madison (Northwestern University, Illinois)
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The Making of the West End Stage
by Jacky Bratton (Royal Holloway, University of London)
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Women and Victorian Theatre
by Kerry Powell (Miami University)
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Twentieth-Century British Theatre
by Claire Cochrane (University of Worcester)
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Wilde: Salome
by William Tydeman (University of Wales, Bangor)
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Early Cambridge Theatres
by Alan H. Nelson
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Sport in Australian Drama
by Richard Fotheringham
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A Profile of Jonathan Miller
by Michael Romain
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Verbal Violence in Contemporary Drama
by Jeanette R. Malkin (Hebrew University of Jerusalem)
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The Theatre in Nineteenth-Century Spain
by David Thatcher Gies
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The Theater of Andrzej Wajda
by Maciej Karpinski
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The Profession of the Playwright
by John Russell Stephens
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National Theatre in Northern and Eastern Europe, 1746-1900
by Laurence Senelick
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German and Dutch Theatre, 1600-1848
by George W. Brandt
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Naturalism and Symbolism in European Theatre 18501918
by Claude Schumacher
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Theatre and Citizenship
by David Wiles (Royal Holloway, University of London)
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Actors and Acting in Shakespeare's Time
by John H. Astington (University of Toronto)
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A History of Theatre in Spain
by Maria M. Delgado (Queen Mary University of London)
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Re-playing Shakespeare in Asia
by Poonam Trivedi
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The Theatre of Richard Maxwell and the New York City Players
by Sarah Gorman
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Religion, Theatre, and Performance
by Lance Gharavi
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Feminist Visions and Queer Futures in Postcolonial Drama
by Kanika Batra (Texas Tech University, Texas, USA)
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The Provocation of the Senses in Contemporary Theatre
by Stephen Di Benedetto
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Theatre of Conscience 1939-53
by Peter Billingham
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Kinship and Performance in the Black and Green Atlantic
by Kathleen Gough (University of Vermont, USA)
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Stanislavsky in Focus
by Sharon Marie Carnicke
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The Illuminated Theatre
by Joe Kelleher
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How to Read a Play
by Damon Kiely
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The Grammar of Politics and Performance
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African Accents
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Reading Contemporary Performance
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Performance in the Twenty-First Century
by Andy Lavender
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Acting: The First Six Lessons
by Richard Boleslavsky
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Development Dramas
by Dia da Costa
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The Contemporary Ensemble
by Duska Radosavljevic
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The Unwritten Grotowski
by Kris Salata
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Embodied Acting
by Rick Kemp
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Dramas of the Past on the Twentieth-Century Stage
by Alexander Feldman
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Social Works
by Shannon Jackson
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Yevgeny Vakhtangov
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Theatre and Performance in Digital Culture
by Matthew Causey
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Performance in Bali
by Leon Rubin
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Makers of Modern Theatre
by Robert Leach
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African Theatres and Performances
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Leading Creators of Twentieth-Century Czech Theatre
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Performance and Evolution in the Age of Darwin
by Jane Goodall (University of Western Sydney, Australia)
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