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Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter
by M.A. Katritzky
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The Chinese Theatre
by Chu Chia-Chien
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Witness Onstage
by Molly Flynn
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How to Make it in Hollywood
by Linda Buzzell
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Britain's Royal National Theatre
by Tim Goodwin
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Theaters of Citizenship
by Sonali Pahwa
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My Life In Art
by Constantin Stanislavski
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Talk of Drama
by Sean Day-Lewis
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Utopian Drama
by Dr Sian Adiseshiah
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The Play out of Context
by Hanna Scolnicov
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The Image of the Actor
by Shearer West
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Directors' Theatre
by David Bradby
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Politics of the Oberammergau Passion Play
by Jan Mohr
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Thunder in the Air
by Brian Masters
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The Piscatorbuhne Century
by ew Lichtenberg
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Theatres of Immanence
by Kenneth A. Loparo
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Performance and the Global City
by D. Hopkins
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Guide to Oberammergau. Oberammergau and Its Passion Play
by Joseph 1849-1903 Schroeder
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Theatre and Internationalization
by Ulrike Garde
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German and Dutch Theatre, 1600-1848
by George W. Brandt
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Requiem and an Epilogue
by Glynne Wickham
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Classical Audition Speeches for Men
by Jean Marlow
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Applied Theatre: Economies
by Molly Mullen (University of Auckland, New Zealand)
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Beyond Stanislavsky
by Bella Merlin
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The Woman's Voice
by Patsy Rodenburg (Guildhall School of Music and Drama, UK)
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Cabaret
by William Grange (University of Nebraska, USA)
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Purimspiel!
by Rabbi Leigh Lerner
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Radical Street Performance
by Jan Cohen-Cruz (Syracuse University, USA)
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O'Neill: Long Day's Journey into Night
by Brenda Murphy (University of Connecticut)
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Church and Stage in Victorian England
by Richard Foulkes (University of Leicester)
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Acoustic Interculturalism
by Marcus Cheng Chye Tan
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From a Member of the Audience
by Wayne L Gregory
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City/Stage/Globe
by D.J. Hopkins (San Diego State University)
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The Adelphi Players
by Cecil Davies
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Shakespeare and Modern Theatre
by Michael Bristol
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Dissidence and Literature Under Nero
by Vasily Rudich (Yale University, USA)
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American Theatre Companies, 1749-1887
by Weldon B. Durham
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The Performance Arts in Africa
by Frances Harding
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Whitman's Ecstatic Union
by Michael Sowder
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Directions for Directing
by Avra Sidiropoulou
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The Princess of ELEVE
by Ed Strum
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Flash and Crash Days
by David George
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Russians in Britain
by Jonathan Pitches (University of Leeds, UK)
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Performance, Identity, and the Neo-Political Subject
by Fintan Walsh
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Stanislavsky: A Life in Letters
by Laurence Senelick (Tufts University, USA)
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The Stratford Festival Story
by J. Alan B. Somerset
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Crossroads: Performance Studies and Irish Culture
by Sara Brady
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The Theatre Team
by Sidney Berger
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