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Modern British Drama: The Twentieth Century
by Christopher Innes (York University, Toronto)
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Theatricality
by Tracy C. Davis (Northwestern University, Illinois)
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Performing the American Frontier, 18701906
by Roger A. Hall (James Madison University, Virginia)
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The Cambridge Companion to Victorian and Edwardian Theatre
by Kerry Powell (Miami University)
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The Cambridge Companion to Theatre History
by David Wiles (Royal Holloway, University of London)
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The Cambridge Introduction to Modern British Theatre
by Simon Shepherd
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Women in British Romantic Theatre
by Catherine Burroughs (Wells College, Aurora, New York )
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Albee: Who's Afraid of Virginia Woolf?
by Stephen J. Bottoms (University of Glasgow)
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Performing Shakespeare in the Age of Empire
by Richard Foulkes (University of Leicester)
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The Theatre of Suzuki Tadashi
by Ian Carruthers (La Trobe University, Victoria)
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The Russian Theatre after Stalin
by Anatoly Smeliansky
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Illegitimate Theatre in London, 17701840
by Jane Moody (University of York)
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The Politics of Alternative Theatre in Britain, 19681990
by Maria DiCenzo (Wilfrid Laurier University, Ontario)
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A Companion to Henslowe's Diary
by Neil Carson
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Sophocles: Oedipus Tyrannus
by Fiona Macintosh (University of Oxford)
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The Theatre in America during the Revolution
by Jared Brown (Illinois Wesleyan University)
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An Introduction to Post-Colonial Theatre
by Brian Crow (University of Birmingham)
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Moliere: Don Juan
by David Whitton (Lancaster University)
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Chekhov on the British Stage
by Patrick Miles
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Scripts and Scenarios
by Richard Andrews (University of Leeds)
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The Play out of Context
by Hanna Scolnicov
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Theatre and Politics in Nineteenth-Century Spain
by David Thatcher Gies
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Giorgio Strehler
by David Hirst (University of Birmingham)
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Grief and English Renaissance Elegy
by G. W. Pigman, III
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French Theatre in the Neo-classical Era, 1550-1789
by William D. Howarth (University of Bristol)
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Joan Littlewood's Theatre
by Nadine Holdsworth (University of Warwick)
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British Theatre between the Wars, 1918-1939
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Movement Training for the Modern Actor
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Performing Race and Torture on the Early Modern Stage
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Nineteenth-Century Theatre and the Imperial Encounter
by Marty Gould
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Global Ibsen
by Erika Fischer-Lichte (Free University of Berlin, Germany)
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Representing China on the Historical London Stage
by Dongshin Chang
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The Politics of the Death Penalty in Countries in Transition
by Madoka Futamura
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The Politics of American Actor Training
by Ellen Margolis (Pacific University)
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Nationalism and Youth in Theatre and Performance
by Victoria Pettersen Lantz
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Arthur Lessacs Embodied Actor Training
by Melissa Hurt (Independent Theatre & Performance Scholar)
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Ritual and Event
by Mark Franko
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The Twentieth Century Performance Reader
by Teresa Brayshaw
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The Improvisation Studies Reader
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Re-playing Shakespeare in Asia
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Archaeologies of Presence
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Contemporary Mise en Scene
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Ensemble Theatre Making
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Adapting Chekhov
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Performance and the Politics of Space
by Erika Fischer-Lichte (Free University of Berlin, Germany)
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Dodin and the Maly Drama Theatre
by Maria Shevstova
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Commedia Dell'Arte
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Community Theatre
by Eugene van Erven
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