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Production Collaboration in the Theatre
by Rufus Bonds Jr.
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Venuss Palace
by Reut Barzilai
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Staging Violence
by Tania de Miguel Magro
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Finding Identity Through Directing
by Soseh Yekanians
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The Dialogical Theatre
by M. Harris
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The Broadway Design Roster
by Bobbi Owen
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Ellen Stewart and La Mama
by Barbara L. Horn
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The Simple Stage
by Arthur Feinsod
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German Actors of the Eighteenth and Nineteenth Centuries
by Simon Williams
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Nineteenth-Century Theatrical Memoirs
by Claudia Durst Johnson
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The Federal Theatre Project
by Fenwick Library Staff
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The Theatres of London
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Figures of Light
by Carole Zucker
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Stages for Tomorrow
by Francis Reid
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Theatrical Improvisation
by J. Leep
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Male Trouble
by F. Walsh
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Performance in the Borderlands
by R. Rivera-Servera
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Digital Practices
by S. Broadhurst
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Sound: A Reader in Theatre Practice
by Ross Brown
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Children and Theatre in Victorian Britain
by A. Varty
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Indonesian Postcolonial Theatre
by Evan Darwin Winet
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Acts of Manhood
by K. Kippola
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Performance and the City
by Kim Solga
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Biographical Theatre
by U. Canton
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Odin Teatret
by Adam Ledger
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Avant-Garde Performance and Material Exchange
by M. Sell
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Field Day and the Translation of Irish Identities
by A. O'Malley
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Theatre Censorship in Britain
by H. Freshwater
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Performance Affects
by J. Thompson
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Uncle Tom's Cabin on the American Stage and Screen
by J. Frick
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The Control and Censorship of Caroline Drama
by N. W. Bawcutt (Reader in English Literature, Reader in English Literature, University of Liverpool)
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Say, am I stewed or did a grapefruit just flew by?
by Holger Metzner
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Gavin Bolton's Contextual Drama
by Margaret R. Burke
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Playing Offstage
by Sidney Homan
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Masada Revisited III and other Plays
by Arthur Ziffer
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Meetings with Remarkable Wo/Men
by Naum Panovski
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The Musical, Second Edition
by Kurt Ganzl
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Applied Theatre: Women and the Criminal Justice System
by Dr. Caoimhe McAvinchey (Queen Mary University of London, London)
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Popular Performance
by Adam Ainsworth (Kingston University, London, UK)
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In Place of a Show
by Augusto Corrieri (Independent scholar)
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Beckett's Creatures
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Performing China on the London Stage
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Pacific Performances
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Performance, Ethics and Spectatorship in a Global Age
by H. Grehan
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Writing the History of the British Stage
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The Politics of Interweaving Performance Cultures
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Approaches to Actor Training
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Authoring Performance
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