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How I Broke Into the Movies--And How You Can Too!
by Leona W Toppel
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Performing Scottishness
by Ian Brown
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The Great Tradition and Its Legacy
by Michael Cherlin
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Latinx Actor Training
by Cynthia Santos DeCure
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Historical Review of the Boston Bijou Theatre
by Edward O (Edward Oliver) Skelton
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Mediatized Dramaturgy
by Seda Ilter (Birkbeck College, University of London, UK)
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Heroin, Acting, and Comedy in New York City
by Barry Spunt
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Undergraduate Research in Theatre
by Michelle Hayford
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Theatre in Education in Britain
by Roger Wooster (Independent Scholar, UK)
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Re-Dressing the Canon
by Alisa Solomon
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Theatrical Performance and the Forensic Turn
by James Frieze
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Theatre and State in France, 1760-1905
by Frederic William John Hemmings
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Acting Between the Lines
by Marilynn J. Richtarik (Killam Postdoctoral Research Fellow, Department of English, Killam Postdoctoral Research Fellow, Department of English, University of British Columbia)
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Adapting Performance Between Stage and Screen
by Victoria Lowe
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Performing Shakespeare's Tragedies Today
by Michael Dobson (Professor of Shakespeare Studies, Birkbeck College, University of London)
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My Lifetime; Volume 1
by John Hollingshead
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Mothering Performance
by Lena Simic
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Dreams and Deconstructions
by Sandy Craig
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Dramatis Personae
by Philip Freund
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Post-war British Drama: Looking Back in Gender
by Michelene Wandor
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Die Konzeption Des Neuen Menschen in Ernst Barlachs Dramatischem Schaffen
by Jochen Richter
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Rapunzel
by Brian Leader
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A Full Circle
by Roy McMillan
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Dramatists Sourcebook
by Theatre Communications Group
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Magic on the Early English Stage
by Philip Butterworth (University of Leeds)
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The Global and Local Appeal of Kneehigh Theatre Company
by Catherine Trenchfield
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The Britannia Diaries 1863-1875
by Jim Davis
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Joseph Chaikin
by Alex Gildzen
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The Greek Sense of Theatre: Tragedy Reviewed
by J. Michael Walton
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Theatre of the English and Italian Renaissance
by J.R. Mulryne
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Theatre Royal
by Michael Coren
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Affects in 21st-Century British Theatre
by Mireia Aragay
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Arthur Miller Plays 3
by Arthur Miller
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What is a Playhouse?
by Callan Davies
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The Life of Chester Gateway Theatre
by David John Nicholls
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Peter Hall Directs Antony and Cleopatra
by Tirzah Lowen
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Freak Performances
by Analola Santana
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The Routledge Companion to Michael Chekhov
by Marie Christine Autant Mathieu
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Performance Studies
by Richard Schechner (Tisch School of the Arts, NYU, USA)
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Staging France between the World Wars
by Susan McCready
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Directory of Historic American Theatres
by Carlton Ward
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London in Early Modern English Drama
by D. Grantley
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The Death of the Actor
by Martin Buzacott
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George Frederick Cooke
by Don B. Wilmeth
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The Independent Monologue in Latin American Theater
by Duane Rhoades
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Crossroads: Performance Studies and Irish Culture
by Sara Brady
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Performance and the Contemporary City
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In Rehearsal
by Gary Sloan
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