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Stage Source Book
by Gill Davies
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Theatre and Entertainment
by Jim Davis
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Thinking about the Playwright
by Eric Bentley
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The Comedie-Francaise from Moliere to Eric Ruf
by Simon Trowbridge
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The Cultural Politics of One-to-One Performance
by Rachel Zerihan
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Designing Stage Costumes
by Gary Thorne
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The Stage Directions Guide to Working Back Stage
by Stephen Peithman
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How to Impersonate Famous People
by Christopher Fowler
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Tongues of Flame
by Dawn Langman
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Theatre Blogging
by Megan Vaughan (Live Art Development Agency, UK)
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The Boys, The
by Christopher Fitzsimons
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The Art of the Monologue
by Frank Catalano
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Inside Improvisation
by MR Richard Bennett
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Liminal Acts
by Susan Broadhurst
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Peter Brook
by Albert Hunt
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Fortunes of the Moor
by Carlton Barbara Molette
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Producing Theatre
by Donald C. Farber
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Renaissance Drama in Action
by Martin White
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The African American Theatrical Body
by Soyica Diggs Colbert (Assistant Professor of English, Dartmouth College, New Hampshire)
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D'Oyly Carte
by Roberta Morrell
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Transmedia Cultures
by Simon Bacon
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Community Theatre
by Eugene van Erven
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Birth of Theatre
by Philip Freund
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1956 and All That
by Dan Rebellato (Royal Holloway University, London, UK)
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London Stage in the Nineteenth Century
by Robert Tanitch
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Intermedial Praxis and Practice as Research
by Joanne Scott
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The Best Women's Stage Monologues and Scenes
by Lawrence Harbison
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Hamlet
by Anthony Dawson
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The Musical Theatre Composer as Dramatist
by Rebecca Applin Warner
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Fortune's Fool
by Ivan Sergeevich Turgenev
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Between Earth and Heaven
by Dawn Langman
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Theatre of the Real
by C. Martin
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Performance, Cognitive Theory, and Devotional Culture
by J. Stevenson
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Best Revenge
by Stephen Fife
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Women on Stage in Stuart Drama
by Sophie Tomlinson (University of Auckland)
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Acting Professionally
by Robert Cohen
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The Craft of Screen Acting
by Amanda Brennan (Royal Central School of Speech and Drama, UK)
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Theatre and Travel
by Fiona Wilkie
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The Cambridge Companion to the Actress
by Maggie B. Gale (University of Manchester)
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Stage Management
by Diane Norburn
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Expressionism and Modernism in the American Theatre
by Julia A. Walker (University of Illinois, Urbana-Champaign)
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The Shy Manifesto
by Michael Ross
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Let's Improvise
by Milton E. Polsky
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Beside Myself
by Antony Sher
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Hamilton
by Kristine Dawson
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Theatre Ecology
by Baz Kershaw (University of Warwick)
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Stanislavski and the Actor
by K.S. Stanislavskii
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Theatre Ecology
by Baz Kershaw (University of Warwick)
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