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Expressionism and Modernism in the American Theatre
by Julia A. Walker (University of Illinois, Urbana-Champaign)
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The Shy Manifesto
by Michael Ross
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Let's Improvise
by Milton E. Polsky
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Beside Myself
by Antony Sher
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Hamilton
by Kristine Dawson
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Theatre Ecology
by Baz Kershaw (University of Warwick)
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Stanislavski and the Actor
by K.S. Stanislavskii
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Theatre Ecology
by Baz Kershaw (University of Warwick)
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A Cultural History of Tragedy in Antiquity
by Emily Wilson (University of Pennsylvania, USA)
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Costume
by Jac Lewis
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Agents on Actors
by Hettie Lynne Hurtes
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Theatre and Citizenship
by David Wiles (Royal Holloway, University of London)
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Student Workbook for Stage Makeup
by Beverly Gore Norcross
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Drama in the Cathedral
by Kenneth Pickering
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Talking Theatre
by Richard Eyre
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Song and Dance
by Kurt Ganzl
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Tadeusz Kantor
by Noel Witts
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Inside ACT
by Ken Womble
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Make/believe
by Kate Burnett
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Early American Theatre from the Revolution to Thomas Jefferson
by Heather S. Nathans (University of Maryland, College Park)
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For Women - Monologues They Haven't Heard
by Susan Pomerance
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Routledge Guide to Broadway
by Ken Bloom
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My Dear Loraine
by George Bernard Shaw
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Man-Monkeys
by Alan Stockwell
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The Theatre of Visions
by Stefan Brecht
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Gentlemen of a Company
by Jerzy Limon
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Oriental Theatre
by Philip Freund
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Designing and Making Stage Costumes
by "Motley"
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Britain's Royal National Theatre
by Tim Goodwin
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Staging Conventions in Medieval English Theatre
by Philip Butterworth (University of Leeds)
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Beginning
by Kenneth Branagh
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The Theatre Quotation Book
by Russell Vandenbroucke
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Stanislavsky Directs System 8
by STANISLAVSKY
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Burnt Bridges
by Charles Marowitz
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The Stuart Court Masque and Political Culture
by Martin Butler (University of Leeds)
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B Movie
by Michael B Druxman
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The Complete Stanislavsky Toolkit
by Bella Merlin
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Graphics for the Performing Arts
by Harvey Sweet
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The History of Stage and Theatre Lighting
by Boston Edison Company
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Latina Performance
by Alicia Arrizon
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How to Stop Acting
by Harold Guskin
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After In-Yer-Face Theatre
by William C. Boles
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Reflecting the Audience
by Jim Davis
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Hollywood, Here I Come!
by Cynthia Hunter
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Shakespeare's Clown
by David Wiles (University of London)
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Improvisation in Rehearsal
by John Abbott
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Trusting Performance
by N. Rokotnitz
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Medieval Theatre Performance
by Philip Butterworth
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